Rising Stars continues in 2021! Hooray! The goal of this series is to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star Author-Illustrator Melizza Chernov!
Melizza Chernov is a Rhode Island School of Design alumna. While at RISD she earned a Bachelor of Fine Arts in Illustration. Her artwork is inspired by the quirky and unusual. She and her five siblings spent their early years living in a project housing community in Queens, New York. There she learned her most important lessons about artistic expression. However, increasingly Melizza developed a desire to be more closely connected to the natural world. Presently, she lives in the Massachusetts countryside. Her free time is spent in the garden, on nature walks and with her quirky and unusual husband Craig. Additionally, Melizza has just illustrated a book for Blue Whale Press, and imprint of Clear Fork Publishing. The book, titled A HORN IS BORN, was released on November 1, 2020.
Melizza is currently seeking agent representation.
Welcome, Melizza and congrats on your new book, A HORN IS BORN! I've had the pleasure of reading it and what a fun, quirky story! Your illustrations add rhythm and movement to the rollicking text. I'm so excited to have you here and chat about your journey into kidlit!
AD: Let’s start with a speed round…
AD: Okay, now down to the serious stuff….Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MC: The first children’s book I remember reading was Babar. I’m sure I read others but Babar stuck with me. Babar was an Indian elephant that was taken to England after his mother was shot by a poacher. Babar learned about British society, wore suits and drank tea, then returned to his country, where he was eventually made King. Strangely, as a child I sort of identified with Babar. Okay, to be fair, no one I knew had ever encountered a poacher. No, how I identified with Babar was as an Indian, raised in a household with different customs than those of Americans. And yet, I was born in America, and I am also an American person, with a different way of looking at things than my Indian relatives from Guyana. It’s an interesting bridge to be standing on as an illustrator and writer. My journey into the fabulous world of children’s books was/is about learning how to allow these varying perspectives to meld and create something new, something uniquely me. My journey began with reading books, lots and lots of books. Being a part of a creative family made it natural for me to turn to painting and drawing as ways of expressing my ideas. Later I began to write stories that encompassed both the fantastical and the ordinary. Right now, I spend a lot of time just exploring ideas, asking myself questions about what I want to see in the world, and making attempts at answering those questions through my visual art and writing. AD: Amazing how we can connect so deeply with characters in a story. The power of storytelling! Your process for creating sounds very reflective, and I have no doubt that there will be children out there who will connect just as deeply with your own unique story and perspective in the same way you connected with Babar's.
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
MC: Writing and drawing have been a part of my life since I was very young. I loved reading. Some of my first memories were of my dad taking me to our local library and us sitting in those tiny child-sized chairs, he reading his book and me reading mine. Early on, it sparked something in me. In some ways, even as a child, I knew I wanted my whole life to be like those moments. Growing up we lived in a culturally diverse project housing community in Queens, NY. In that community we were surrounded by street performers, dancers, graffiti artists, a variety of colors, textures and unique fashion choices. Some of my first jobs were in communities like that, teaching art to children. Later I went on to create art programs for preschool aged children and worked in museum education for various organizations. Working in education has given me the opportunity to share with children a world of possibilities from which they can choose. AD: Thanks for sharing those memories from your childhood. The memories of you reading with your dad at the local library remind me how a love of reading can be sparked at a very young age and the importance of the work we do as children's book creators to bring about that spark in children. Your experience living in Queens sounds rich with culture. Thank you for dedicating your time and expertise working as an educator, too. Those students were lucky to have a teacher who showed them all that is possible for them in this world!
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
MC: The themes that seem to come up in my work quite often are ones that have to do with connection, individuality, and imagination. The settings for these themes are usually fantastical. My favorite genres are children’s books (with an unusual spin), graphic novels, and fairy tales. My favorite materials for visual art would be paints, drawing materials, and paper. I’ve also been enjoying doing some work digitally. My favorite material for writing would be small notebooks, pencils, sharpies, index cards, post-its and napkins.
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
MC: The biggest challenge I’ve faced during this process has been me. Confidence in my work and my abilities can be a struggle. Being an introvert I tend to hide when I’m feeling unsure of myself. Reaching out, networking, and social media are awkward for me. Interestingly enough, if you’re too withdrawn to send your work out or allow yourself to be seen it generally means that no one will see your work or you. Hmm...go figure. My greatest challenge is opening up, connecting, allowing myself to be seen. What I’ve done to persevere is allow myself to connect with some wonderfully kind writers and illustrators. Sharing my work, set-backs and shortcomings, has allowed me to develop a support system with people who share my kidlit journey. We commiserate, share tips/ideas and keep each other inspired. AD: I think the putting yourself out there part is hard for many but as you said, if we want our work to be seen, it is an inevitable part of the job. And yes, a commiseration and inspiration crew is a must! :)
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
MC: Art school wasn’t something I did right after high school. My journey wasn’t a straight line. It was more like looking for buried treasure with a very old map. Which admittedly, does sound like great fun. Getting into Rhode Island School of Design (RISD) was a very big moment for me. When I received a full scholarship for my portfolio and academic standing that was truly magnificent; and then graduating with my Bachelor of Arts, Illustration a year early, made me very proud. There were many times I didn’t think I’d make it through. I believe it was a special moment for my family as well. Being the first person in my immediate family to have graduated from a four year college program was probably my biggest accomplishment. AD: Congrats on your RISD accomplishments, Melizza! I imagine those were exciting moments for you and your family. I totally relate to the "looking for buried treasure with a very old map" path (and I love that analogy!). I'm glad we both eventually made our way here and are forging ahead on this journey.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
MC: My personal history plays a large part in the strengths I’ve developed as an illustrator. My parents were vibrant, curious, tenacious, and brave people who took a huge risk in bringing their family to America. I’m often inspired by those qualities in my own work. I enjoy the road less traveled, odd, challenging themes that make me consider my relationship to the past, look at myself in the present and ask questions about how I would like things to be in the future. And I want it all to be fun, funny, and whimsical. AD: How inspiring! I think when we create from a place of personal experience, we are bringing our true authentic selves to the table. This vulnerability can be hard but it sounds like you have a very reflective art-making process that allows you to dig deep and produce meaningful work.
AD: What inspires your work?
MC: The world is multilayered and more than anything else that really inspires me. There are old structures abutting new structures, old ideas that butt up against new ideas, people of all shapes, sizes, cultures and with an incalculable number of ways of looking at things. Nature creates that way, wild and random but intriguing. I’m going to really geek out now and say that it all reminds me of a Star Trek quote: “Infinite diversity in infinite combinations,” ~Spock. Yep, I said that out loud and in public. I can get dressed now and leave the classroom, right? AD: Haaa! Who could have captured this idea better than Spock?!? Perfect!
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MC: The most important thing I do in my creative process is I write down any idea that comes into my head, no matter where I am or what I have for paper or writing implements, a napkin works, lipstick is fine, as long as I get the idea down. Then I put it on an index card and file it. When I’m feeling stuck I go to that file and pull those ideas out. I also sketch a lot and make something every day. It doesn’t matter if it’s an origami penguin or just a drawing I create with my little nieces, I try to do something every day. AD: Yes, not editing our ideas when they first come to us is so useful! I tend to scribble ideas down all over the place but need to be careful I don't lose track and throw them away! My Notes app has been the place where I consolidate. I also have an idea box, too, which I should probably dig back into for inspiration now that a new year is upon us! AD: What sorts of things have been most integral in your growth as an author-illustrator? MC: Doing the work. It’s easy to get sidetracked. We live busy lives in a busy world. I can’t speak for anyone else, but I find that I am very adept at wasting a lot of time ‘thinking’ about doing things. My other hobby is toggling between ‘lamenting over’ and ‘feeling overwhelmed by’ all the things I ‘should’ be doing but haven’t. For me the most integral thing in my growth has been learning to shut everything else out and give myself an hour, a half-hour or just fifteen minutes every day to DO something creative and just be completely present during that process. AD: Yes! Focus, focus, focus! Easier said than done though!
AD: What advice do you have for fellow kidlit creatives?
MC: It’s easy to get discouraged because there are many excellent kidlit creators out there. The best piece of advice I’ve ever gotten was from a non-artist, my dad. It keeps me going when I feel overwhelmed. I was complaining to him about the challenges I’d been facing as an illustrator, finding work, connecting with people, financially supporting myself etc... To put this in context my dad immigrated to the United States in 1971. Growing up he lived in tenement housing and one of his many jobs was cutting sugar cane on a plantation. However, my dad patiently listened to my griping and once I was done he said, “You know I never wanted you to do this, I wanted you to become a lawyer. But you insisted. Now that you’ve made the decision, you have to give it everything you’ve got.” I replied that I was afraid and he said something that fundamentally changed the way I looked at my creative life. “When I’m afraid,” he said, “I just look down at my shoes and take it one step at a time. Don’t look too far ahead, just look at the spot you’re standing in and take one step and then another.” My advice is to do that, to take it one step at a time and be patient with yourself. It makes a big difference in how you experience the journey. AD: Wow! What a beautiful story of determination and perseverance. Perhaps a new concept for your next picture book... :)
Melizza, thank you for opening up about your life and for such thoughtful responses! It was so nice to learn more about you and your work. Best of luck with A Horn is Born! We hope to see many more of your stories and art in the hands of young readers! Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit! Feel free to drop a comment below to support Melizza and her work.
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The new year is here (hooray!) and Rising Stars continues. The goal of this series is to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author Kim Pfennigwerth!
Welcome, Kim! I'm so excited to have you here and chat about all things kidlit and creativity!
AD: Let’s start with a speed round…
● Top three favorite children’s books of all time? King Bidgood’s In The Bathtub! written by Audrey Wood and illustrated by Don Wood, which is fun that a child solves the problem not the adults. Poor Doreen, written by Sally Lloyd-Jones and illustrated by Alexandra Boiger; a very unlucky fish’s lucky tale for the storytelling way it is told. And last but not least, A Sick Day for Amos McGee written by Philip C. Stead and illustrated by Erin E. Stead; a pretty perfect friendship story. ● Coffee, tea (or neither)? Tea ● Where is your safe place? Outdoors or anywhere I can curl up with a book or sit with a laptop or pen and paper. ● Dogs, cats, (or neither)? Dogs ● Early bird or night owl? Early Bird- I’m out the door with a dog at pre-sunrise when you can usually see an array of dazzling colors. ● Three words to describe what it takes to make it in the kidlit world… Tenacity, Revisions, Critiques
AD: Okay, now down to the serious stuff….Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
KP: I am a mom of four and a nana to four (though more are always welcome!). I have always had stories in my head and jotted onto the backs of envelopes, notepads, etc. My children grew up with me telling them stories. When my first grandchild was due, my oldest son told me that they would need stories to tell his son the way stories were told to him and his siblings. That just opened up the gates of my imagination and my husband encouraged me to keep going with them. When I found SCBWI it was liking finding a piece of heaven. I truly felt like I had found my people. AD: How nice that your children's words were your muse and you had the support from your partner to dive into your journey as an author. SCBWI is an amazing resource. I'm not surprised that it led you to some amazing creators and community.
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
KP: I worked mostly in offices as a clerk or office manager. I never seriously thought I could be an author even though I constantly wrote. I would write poems that were framed and given as gifts for anniversaries, birthdays etc. It was SCBWI that showed a pathway through the publishing journey that I have treasured.
AD: What topics or themes do you tend to focus on in your writing? Favorite genres you like to write in?
KP: As a writer only - Friendship, family, and humor are the most familiar topics and themes in my manuscripts along with word play. AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere? KP: I am on the quest for my second agent, and I've had a couple manuscripts make it as far as acquisition meetings and then get rejected. So getting over the publishing hump is my biggest challenge. I continue to grow my writing and have manuscripts to work on while other manuscripts rest. I also keep a .doc file of possible titles, plot ideas, and word play. I also have strong critique groups and buddies. They strengthen my writing, and critical thinking, while helping me to stay motivated. AD: Good luck with the agent search and congrats on the close calls with your manuscripts! Those are big moments! We hear it all the time but it only takes one yes, and if you keep at it, you are bound to find that match! I'm glad you have strong critique groups to help you develop and persevere!
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
KP: That I have come so close is a reminder to me that I must be on the right path. It is not always easy to keep submitting – that is the thing I have to really push myself to keep doing. Having made so many close friendships with wonderfully creative people helps keep me motivated. AD: Yes! I try to remind myself that art and writing is so subjective and not to take it personally when I get passes. The beauty of art is for people to interpret it in their own way and sometimes that means connecting with a story or an art piece and sometimes not. The important thing is to find that person who gets it, and shares a vision that aligns with yours. That is who you want in your corner. :) AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you? KP: I believe my strengths are finding new ways to tell stories about friendships and family. Family is where we first learn how we are different, how we are the same, where we can fit in, and how to be friends—very universal themes.
AD: What inspires your work?
KP: Reading tons of books old and new. It is a delicious moment when I read words or a phrase strung together that I truly wish I had written. And reading and snuggling with a book and a child is the most precious time ever. So I would love to know my stories are being hugged close like I and my family hug other books. AD: Yes! Read, read, read! Nothing can compare to a good book!
Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
KP: Most days start with an early morning walk where I can let my mind drift and play with ideas. By midmorning I’m working on something toward publishing. I like to read a positive daily quote and then dig into writing or revising. I also try to have 2 mornings or afternoons just for reading. Whether it is a reminder of the writing in picture books that I love or keeping up with newly published books, reading, reading, and reading some more keeps my imagination bubbling. Opposite of that—Feeling stuck—is the worst! I go outside to shake it off. I ask ‘What If’ or “What Else’ for my main character and when all else fails I’ll blast some music and dance around! AD: Wow! Those pictures of the beach walk are amazing. How special to live so close to the ocean and what fun you get to enjoy early morning walks with your pups for inspiration. It looks so peaceful. The ocean is my safe place, and I hope to one day be in walking distance of the beach. AD: What advice do you have for fellow kidlit creatives? KP: Since I only write - Read and write as often as as possible. Schedule time for reading, writing, and revising – treat this like the business it is. Find ways that keep the creative juices flowing for you. Also look at illustrators websites online –their talented images can help inspire new stories! And just as importantly - have a critique group or critique buddies who give you tough, critical comments, who bounce ideas around with you, and who will commiserate and celebrate with you – they break the isolation we often feel. AD: Great advice, Kim! Thanks for the wisdom!
You can find Kim on social media:
Twitter @kpfenni Instagram@kimpfen Facebook (though not as often) – kimpfenni1
Kim, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit! Feel free to drop a comment below to support Kim and her work. Good luck with your agent search, too! Fingers crossed!
© 2020 Amanda Davis Art
Cheers to our last Rising Star of 2020! It's been a blast getting to know so many passionate storytellers. Thank you to the creators who took time to speak with me and put yourselves out there. Thank you to all of you who've taken the time to read the series, support these creators, and learn more about the different paths and journeys into kidlit. There were so many marvelous Rising Stars to highlight that the series will be returning in January. Stay tuned!
The Rising Stars in KidLit blog series casts a light on the wonderful work of pre-published, unagented authors and author-illustrators who are destined to be stars! Meet Rising Star Author-Illustrator Steve Moises!
Steve Moises is a Latinx illustrator and writer based in Southern California. He holds a Bachelor's Degree in Film and Visual Media from the University of California, Riverside. Steve was born in Los Angeles to Salvadoran immigrants. His unique childhood saw him live in multiple cities across the country before settling back in Los Angeles. His early exposure to comic book art and diverse populations greatly shaped his sense of purpose in life. Steve has a passion for developing colorful characters and stories that explore wildlife and indigenous folklore. He's the editor of the Latinx Kid-Lit Corner at www.latinostories.com. When Steve is not illustrating or writing, he enjoys snowboarding, skateboarding and spending time at the beach.
Steve is currently seeking agent representation.
Welcome, Steve! Thanks for joining me for the Rising Stars in KidLit Series. I can't wait to hear more about your work, your inspiration, and your projects!
AD: Let’s start with a speed round…
AD: Heck yes to fearlessness! AD: Okay, now down to the serious stuff….Please dish us the dirt on who you are and your journey into the fabulous world of children’s books. SM: My family came to the States from a rural town in El Salvador. El Salvador is surrounded by tropical rainforests. My parents were used to roaming around on horseback and washing their clothes along a river before making Southern California their permanent home. I was born years after they settled in Los Angeles. Growing up in a Salvadoran American household I was always fascinated by our heritage and tales of the past. It’s been a great source for my creativity. The rainforest, it’s natural wonders, and our ties to indigenous culture often filled my imagination with excitement and adventure. The other major source of inspiration would come from reading Greek and Roman mythology throughout grade school. As far as setting my career path toward producing children's content, the road leads back to my family. Both my older siblings have had successful careers in education since I was 8 years old. They were and continue to be my role models. Without them, I don’t think I would have had such a positive outlook on life. Their hard work and success motivated me to pursue my dreams of utilizing my talents to help others. I believe books and entertainment are powerful ways to educate and empower people. It’s what motivates me to do what I do. AD: Thanks for sharing, Steve! It sounds like family was and continues to be an important staple in your life and has helped build your foundation and inspiration as a creator. What a special gift that is! I certainly see elements of your Salvadoran heritage in the characters and places you depict in your art, too! AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs? SM: Yes. I’ve had an inkling since the age of 6. At the time, I considered my older brother to be the greatest illustrator in the world. He would often read comic books and draw my favorite cartoon characters. It was cool, and I vividly remember the day he gave me a pencil and paper to draw beside him. That was the key moment. A unique feeling came over me, and I quickly excelled at sketching popular cartoon characters. Since then, the urge to draw and create never let up. I pursued a Bachelor’s degree in Film and Visual Media from the University of California Riverside. I consider my first real job to have been teaching 2nd grade English at a private school in Bolivia (South America). It was the summer before my senior year in college. After college, I was working on independent films and TV pilots as a camera assistant, while occasionally directing commercials and promotional videos. Unfortunately, the 2008 recession quickly derailed my creative career. I spent many years after that taking on administrative jobs, while I kept illustrating and seeking freelance gigs on my down time. January 2020 is when I finally cut ties with my administrative career and set sights on creating original content for children and young adults. AD: That's so cool how engrained your first memory of drawing is. Hooray to taking the plunge into full-time kidlit creator! That takes courage!
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
SM: I mostly focus on adventure tales and coming of age stories. Currently, I’m obsessed with nature fantasy, indigenous folklore, and concepts that depict beach culture. It shouldn’t come as a surprise to anyone. I was 3 years old when I was jumping off the diving boards of backyard pools. I’m what you call an adrenaline junky. I love skating, snowboarding, and water sports. Artistically, I’m a mixed media guy. My favorite materials to work with are watercolors and digital apps on my iPad. Digital tools are insane. I love to use Procreate and Adobe Photoshop to add organic textures and bright colors to my artwork. AD: The things that inspire you come out full force in your art, which scream nature, laid-back vibes, and FUN! I love the unique graphic style and chalky textures that complement and balance the geometric shapes and lines in your work. Totally rad :)
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
SM: I can’t say I’ve broken into the industry yet. I’m a freelancer who has had a chance to form relationships with published authors and film producers. Many have said there is an element of luck to breaking into the industry as a writer/illustrator. I’ve also heard on more than two occasions that if I work hard and stick around long enough, there’s a good chance luck will find me. I have no trouble sticking around. I’m in love with the process of studying my craft and creating original IP. My biggest challenges have been marketing myself and getting in front of agents and publishers that don’t shun Latino creators. I’ve never been much of a sales person, but I’m now doing things to change that. AD: Marketing is so hard! Kudos to you for diving in and putting yourself out there! And yes, sticking around is key to success!! Keep at it!
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
SM: There’s nothing quite like the thrill of producing and directing a well budgeted TV commercial with a world class film crew and talent. I experienced that early in my creative career. However, considering the ups and downs of my career and how much I have grown as a person since then, I’ve never been more excited to be working with a team of editors at www.latinostories.com. I’m the newest member on the team and editor of the Latinx Kid Lit Corner. I’m totally psyched out of my mind to be writing features on some of the best picture books. I get to share my appreciation and love for the rock stars of Latinx Kid Lit. AD: Woohoo! Congrats on your contributions to Latinx Kid Lit corner. It's been fun reading your reviews and getting exposed to some amazing creators. I loved your most recent review of Zombies Don't Eat Veggies by Megan and Jorge Lacera HERE.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
SM: My biggest strength is having a vast imagination when it comes to developing characters that feel authentic. As a child, my family often moved to different towns in search of better work and housing. Before I graduated high school in Southern California, I had experienced living in Nevada and across the country in Columbia, South Carolina. I attended a total of 3 elementary schools, 4 middle schools and 2 high schools. The experience of regularly having to adapt to new places and make new friends helped me see what made communities of people similar and unique compared to others. Early on, I realized people could talk differently and carry different attitudes, but I think they all generally desired the same things. I concluded these common desires to be- the desire to experience excitement or something new, to be heard or acknowledged, and to have memorable communal experiences. I also had a habit of paying close attention to people’s mannerisms and speech. It helped me to assimilate in new environments and form bonds rather quickly. This may sound strange, but it was fun. Like being an actor, I studied a role, analyzed a setting, and committed to my part. These experiences and reflections naturally carry onto my current creative methods for creating characters in my stories. AD: Wow! These are such powerful insights, Steve. It sounds like your experiences growing up deeply influenced your perspective on people and life. It'd be easy to focus on the challenges of moving and having to regularly adapt to new settings but you chose to see the positive aspects of experiencing new places, new people, and new cultures. I often reflect on how my experiences growing up shaped who I am. Although some of those experiences were hard, they made me who I am today, and I'm not sure who I would be without them.
AD: What inspires your work?
SM: My affection with people and nature inspire my work. Deep down, I want people to fall in love with nature and realize our natural world is in danger. Deforestation and pollution are threatening biodiversity and the overall health of humanity. I also feel strongly about advocating for greater diversity in mainstream literature and entertainment. Children as much as adults need role models that reflect their culture and physiology. It’s no secret there’s a lack of content that features people of color as protagonists and strong leaders. AD: These are such important ideas to explore in children's books. Thank you for tackling these topics that will help children and adults recognize the urgency in helping to maintain our precious land and resources while making sure the content in the stories we are reading accurately reflect our ever-changing and diverse world. My motto is to “always be charging.”
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
SM: My motto is to “always be charging.” I find creativity to be more about maintaining momentum than waiting for those moments of inspiration to strike. When I decide to take on a project, I grind out ideas. I make an effort to entertain the good ideas with the not so good ones. The goal is to do something every day until something clicks. I notice I struggle more when I think too much, rather than test whatever ideas seem relevant. Another helpful part of my creative process is putting together a mood board. I surround myself with similar sites and sounds of the things I want to create. This process also includes playing music or actually going out to participate in activities that are relevant to the themes and characters in my stories. AD: I love that motto! I tend to overthink so this is a great reminder! I also love mood boards. It helps me keep going when inspiration and reminders surround me.
AD: What sorts of things have been most integral in your growth as an author-illustrator?
SM: Besides reading all sorts of books about highly successful creatives, there are two things I find to be most integral for my growth as an artist. 1.) Being true to my values/ Being authentic. 2) Maintaining a sense of childlike wonder. To elaborate a little - The child in me never wants to stop exploring and having fun, no matter what. My values are the individuals and activities I love the most, and that bring me joy. Sticking to these things have made all the difference in helping me become more creative and productive consistently. AD: Yes! It's so sad to see people grow up and lose that sense of wonder, curiosity, and creativity. I remember reading somewhere (I can't remember the source), that children smile up to 400 times a day, while adults only smile around 20 times a day. How crazy is that! I think that's a sure sign that we need to loosen up a little more and have some more fun :)
AD: What advice do you have for fellow kidlit creatives?
SM: I have two pieces of advice. First, really study the works of highly successful creators in your field of interest. Second, worry less about feeling inspired and get into the habit of drawing and writing regardless of the circumstances. Just do it and worry later. Not the other way around. AD: Fabulous advice, Steve! Building habits is so important towards helping us achieve our goals. I'm still working on that :)
Thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series, Steve! We can’t wait to read your stories and see your work in the hands of young readers! Feel free to drop a comment below to support Steve and his work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit! Thank you!
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To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails of to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising StarAuthor-Illustrator Chris Vabre!
Welcome, Chris! Thanks for joining me for the Rising Stars in KidLit Series. I can't wait to hear more about your work, your inspiration, and your projects!
AD: Let’s start with a speed round…
AD: Okay, now down to the serious stuff….Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
CV: I’ve always been an artist, and I knew that’s what I wanted to do growing up. Children’s books made a real impact for me in my early life, and I knew I wanted to impact others in the same way. AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs? CV: Although I always knew I wanted to be a professional artist/designer, it’s taken me a long while to get here. In order to keep myself happy, I had to approach everything I did from an artistic point of view. When I got into retail management, I sought industries that had an artistic flare. I was fortunate enough to find my way into management and buying positions in the fashion industry for designers that were art focused like Marni, Sigrid Olsen, and others. AD: I love how you found a way to incorporate art and creativity into each position you held in retail. And hey, it doesn't matter how long it took for you to get here. You made it! How exciting is that! AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques? CV: The types of stories I gravitate to are generally fantasy or magic related. Nature is another huge inspiration, and I have an idea, and the start of a draft for a story about forest animals. Watercolor is by far my most favorite art medium, and Procreate is a close second. AD: Sounds delightful! I love the forest...and animals...so that a win-win in my eyes :)
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
CV: I still have that hurdle out in front of me, but I’m watching and listening to my peers and what they are experiencing. It’s quite exciting to see it happen, even from the sidelines, and gives me hope for my own dream of being published! AD: Bingo! Watching and listening is key! There is always something to learn no matter where we are on this creative journey. Your dream will come true. Just stick with it! AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey? CV: Being an illustration and fine art teacher on Skillshare.com has been my biggest accomplishment so far. It’s hugely rewarding, and it’s amazing how much teaching has improved my art. AD: Yes! Your Skillshare classes are awesome, and I love being a part of you online Facebook community. So encouraging and supportive! AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you? CV: I like infusing as much humor and levity as possible, even when dealing with more serious subjects, like grief, loss, and confusion. AD: What inspires your work? CV: Personal experiences mixed with stories I’ve heard throughout my life all play a part in what inspires me to write/illustrate. AD: Yes, so often we hear "write what you know," and I couldn't agree more. When I write from my own experiences, I often feel those are the strongest and most meaningful stories/art I create.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
CV: When I am hot on an idea, I generally don’t have an issue with artistic block, but if I do, I like to walk away from it for a while. When I do that, even if I’m not aware of working on it internally, ideas to spur me on can hit me suddenly and at the most unexpected times! I think once I start on something I’m passionate about, I can’t quite lay it down completely units finished. AD: What sorts of things have been most integral in your growth as an author-illustrator? CV: Having good-hearted creative people around me! I believe that to be inspired, one must be submerged in an inspiring environment. I seek that in the people I spend time with, as much as the places I hang out in, and the things that I do. AD: Yes! Surround yourself with other passionate people who will lift you up and challenge you to keep going and improve. So important! AD: What advice do you have for fellow kidlit creatives? CV: Don’t be afraid to be yourself! We all need the real you and what you bring to the world! AD: Cheers to authenticity! Celebrate the unique you! :)
AD: Where can readers find out more about you and your work? Please include links to any social media, websites, blogs, etc.
CV: My online studio space is OctopusConnection.com where I share my illustration, classes, freebies, blog , etc. I don’t currently share my writing or kid illustration yet, but I hope to soon! Here are my other online homes: Skillshare, Instagram, Pinterest, Twitter, YouTube.
Chris, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Feel free to drop a comment below to support Chris and her work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star Author-Illustrator Stacey Byer!
Growing up on a steady fare of folktales, island adventures, and lemon grass tea actively fed Stacey’s imagination. She wrote stories about giant possums living in mango trees and drew many, MANY pictures of what lurked in the bougainvillea hedge. After graduating from Ringing College of Art and Design with a degree in Illustration, Stacey returned to her island to use her skills to promote art education and literacy in schools, and worked with different organisations such as Room to Read.
Stacey’s experiences working with children have inspired her to write and illustrate stories that all kids can enjoy. She spends most “sunsetty” evenings in her veranda dreaming up new ways to create materials that encourage diversity, pride, and inclusion. Stacey is a member of SCBWI.
Welcome to the blog, Stacey! I'm so happy to have you here! As an art educator myself, I can't wait to learn more about the work you've done to promote art and literacy in schools. I'm also interested in those giant possums in mango trees and what lurks in the bougainvillea hedge! Without further adieu, let's dive in!
Let’s start with a speed round…
AD: Okay, now down to the serious stuff….Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
SB: I was born in the Caribbean and grew up on this interesting mix of my granny’s folklore stories and Enid Blyton books from England. One day, when my mother stumbled upon my crayon mural masterpiece on her wall, she “noted” my interest in art and so my journey began. During childhood, if I wasn’t making mud pies for a blackbird tea party or crushing ylang-ylang berries to make the best magical potion ever, I was painting or writing stories. I later got a degree in Illustration in the US but returned to my island to highlight the importance of diversity and art education. I did this by working with organizations and non profits to create culturally relevant material for Caribbean kids. I didn’t fully realize how the lack of representation in the books I grew up with affected me until I saw it mirrored in the young children that I taught on my island. This further cemented my interest in centering children of color in stories. All children should be able to see themselves in the stories that they read because the feeling of erasure can have a profound effect on self-worth. AD: Through art education and literacy there is so much we can do to help children recognize the beauty in their diverse stories and backgrounds. I'm glad you've found a way to merge your passion for art education with writing and illustrating children's books. Your desire to return home and share your experiences with Caribbean kids is inspiring. AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs? SB: I always wanted to be an artist and almost every job I had unconsciously connected me back to art. My first job as a teen was selling art supplies and later on I worked for a daycare, planning many art activities for the kids. But the bulk of my work has been exploring the ties between art education, community, and environment. I worked on public art initiatives and illustrated educational materials to be a part of our primary schools’ curriculum.. At random stages of my life I’ve had the odd urge to become a food critic (I’m a foodie) or a rally car driver (don’t ask) but those options er… didn’t pan out. :D AD: Wow! It sounds like you've done some impactful work in different communities regarding the arts and hey it's never too late to learn a new skill :)
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
SB: I’m drawn to themes like community, the environment, and folklore. My favorite genres are PB and MG but I’m also now exploring the GN and non-fiction markets. In terms of media I started off as a fine artist so I love to paint. But I prefer a mix of traditional and digital media. AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere? SB: Entering this industry can be extremely intimidating especially as an international person, and I was concerned about cultural barriers. But when I see all the work that the BIPOC community and allies have put in to create space and awareness, I think there is more hope and opportunities moving forward. There is a saying we use in the Caribbean: 'what is for you will not pass you', and this always drives me onwards. AD: I, too, hope the progress we are seeing continues and amplifies throughout all segments of the publishing industry so that we can have more stories and books being published that reflect the beauty of our diverse world. What a great mantra that is! I'm adding it to my list :)
As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
SB: Winning the Sept SCBWI Draw This contest was a lovely surprise and receiving some editor and agent interest on my DVPit pitch was extremely encouraging. During this pandemic, many small steps also felt quite big, like rejoining Twitter and new critique groups and fearlessly (sometimes) editing old manuscripts. AD: Woohoo! Congrats to those steps forward, Stacey and for winning the Draw This contest. Each success should be celebrated no matter how big or small we may consider it. AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you? SB: I believe it would be my multicultural background. Coming from a multi-layered culture can provide a lot of inspiration and different resource materials. And growing up on an island is usually an added fun bonus, filled to the brim with hilarious and “wait, did that really just happen?” moments. AD: From looking at your art, your island culture and folklore are beautifully evident in the vibrancy, warmth, and organic nature that is undeniably a part of your style and a part of who you are. I love it!
What inspires your work?
SB: My childhood, nature, conversations with people from different walks of life, growing up in a developing country and observing people’s resilience and community spirit. AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck? SB: This may sound a little corny, but I dream up ideas a lot. I wake up with these characters in my head, and I have to rush to sketch or write them out before they fade away. When I’m stuck I move away from the project. If I don’t, I will fling myself onto my mental fainting couch and despair to the heavens about my horrendous writing. So I then either work on another project or I take a walk or eat something healthy like chocolate…which is essentially fruit…because well…cacao. AD: I had a 'rush to write' moment the other night when a first line of a new story came to me as I was fading off to sleep (it was far too late, I might add). I went bumbling around in the dark to find my phone to capture in my Notes app or else I would've forgotten. I think every creator can relate to those moments. They're great! AD: What sorts of things have been most integral in your growth as an author-illustrator? SB: CRITIQUE GROUPS. I mean it. Having to work towards monthly deadlines and have your work constructively critiqued on a regular basis is a game changer. I’m also a member of this really dynamic group called Black Creators in Kidlit. It is such a genuine community that really supports and encourages their members to reach their goals. These groups really inspire me to push myself harder. AD: That's amazing! Community, support, and accountability are so important in this industry. I'm glad you've found groups where all of those elements align for you!
AD: What advice do you have for fellow kidlit creatives?
SB: Don’t give up. If you love what you do, keep on doing it. Don’t let the stressful side of this business distract you from enjoying this journey. Tell that negative voice in your head to simmer down, dismantle your mental fainting couch and eat lots of chocolate, I mean fruit. AD: "Dismantle your mental fainting couch"- I love that!! And chocolate always helps :)
Thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series, Stacey! We can’t wait to read your stories and see your work in the hands of young readers! Feel free to drop a comment below to support Stacey and her work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit!
If you're interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
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Growing up, Rosanna was drawing, reading books, and practicing cartwheels on her front lawn. Her busy mum was a hairdresser and gave her plenty of free haircuts that she didn’t like. Her dad was a music teacher, so classical and Italian music were the soundtrack of her childhood. She still loves music and feels it right down to her toes. Today, if she’s not at her desk Rosanna can be found on her yoga mat, sometimes upside down. |
After a 15-year career in sales and marketing, Rosanna is finally able to explore her life-long passion for children’s books. Rosanna lives with her three daughters and husband in Toronto, in a home stocked with good chocolate chip cookies, pasta and fresh bread. Oh, those cheeky carbs.
Rosanna has a rule inspired by Eleanor Roosevelt: Do one thing each day that is cheeky.
Rosanna is seeking agent representation.
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You can learn more about Rosanna and her work HERE!
Rosanna's Twitter @CheekyPippa Rosanna's instagram @romori.16 Rosanna's BLOG! |
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
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Erica Mae Presley is an author and illustrator. She specializes in children’s picture books and loves creating joyful characters and illustrations. Although she began her artistic journey at a young age, she recently returned to the pencil and brush re-igniting her love of art to illustrate her children’s books. From dancing dogs to ethereal angels and grouchy birthday cakes, Erica Mae’s imagination takes flight through various mediums including pencil, watercolor, and pastels. In addition to children’s books, she also writes poetry and novels. Erica Mae has two beautiful children that inspire her stories and artwork, and a silly husband who loves to recite lines from her books. She received a Bachelor of Arts and Master of Arts in English from California State University, Fullerton. Erica is currently seeking agent representation. |
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
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Erika Lynne Jones is an author and illustrator living in Dallas, Texas with her husband and three daughters. Experiencing different cultures and relating to people with a variety of life experiences was one of the key values instilled in her growing up. Getting to pass this on to her children as a homeschool teacher and to many others through her art and storytelling truly lights her up. She's a member of the Society of Children’s Book Writers and Illustrators (SCBWI), Storyteller Academy and has taken MANY Make Art That Sells Courses.
Erika won the “Beans Around The World” illustration contest sponsored by They Draw and Cook and The USDA Dry Bean Council (2020). She also won an illustration scholarship to the Kweli Journal Color of Children’s Literature 2020 Conference. She's also published in They Draw and Travel’s map anthology, 100 Illustrated Maps of Very Special Places. And most recently she won the Make Art That Sells Illustrating Children’s Books Video Competition. |
AD: Where can readers find out more about you and your work?
ELJ:
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Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
Marci has been creating art and stories since she was a child. From building Japanese villages in shoeboxes to melting crayons on rocks, curiosity and imagination were plentiful.
As an adult, Marci spent most of her time in a cubicle drawing colorful doodles all over her meeting notes until deciding to pack up her art supplies and make her dreams come true. While Marci still loves experimenting with various media, she is usually writing or making pictures with acrylic paint, collage, or digitally on her iPad. Her work has been exhibited in several cities including Los Angeles and New York. She has illustrated for the Los Angeles Times, Verlag Neue Literatur, and created paintings for private collectors. Marci is currently seeking agent representation. |
To learn more about Marci's work, you can visit her WEBSITE here! Or follow her on social media: Marci's Twitter @marcichorpash Marci's instagram @mchorpash |
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
Hello! My name is Amanda Davis. I am a teacher, artist, writer, and innovator. I've been writing and creating art in all forms since I was young. Writing and art have always been powerful outlets of expression for me. This is one of the many reasons I was inspired to teach art and pursue my passion for writing and illustrating children's books. You can usually find me hanging out in nature, petting dogs, and immersed in all things creative. I'm inspired by my students, life experiences, and small acts of kindness. I live in the Boston area with my husband and rescue pup, Cora.
Art is universal. Art is connection. Art is life.
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