 © 2020 Amanda Davis Art To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars! Meet Rising Star
 © 2020 Amanda Wastrom Art Welcome, Amanda! Thanks for joining me for the Rising Stars in KidLit Series. I can't wait to hear more about your work, your inspiration, and your projects! AD: Let’s start with a speed round…
AD: Fellow tea drinkers unite!! And oh my--that clawfoot tub bath sounds dreamy :) AD: Okay, now down to the serious stuff…. Please dish us the dirt on who you are and your journey into the fabulous world of children’s books. AW: I’ve always loved picture books, and I still have many of the ones I grew up with. My mother was an elementary school teacher, and she used to bring me to a big kidlit festival they had at Keene State College in New Hampshire. I remember seeing Tomie DePaola speak there. Writing and illustrating my own book has been a goal of mine for a long time—since high school, actually. But, as you’ll see from my answer below, I have wandered around quite a bit in my life, with the connecting thread being that storytelling has always been a part of my life. Whether you’re a teacher or a graphic designer or a curator, you are, at the heart of it, telling a story (hopefully a good one that gets your students, viewers, or visitors hooked). I got serious about my own kidlit writing about four years ago. I was in my mid-30s at that point and I felt like, ok—if you’re going to try to do this, you’ve gotta get started! I started taking classes, joined SCBWI, and found a critique group. I’ve been slowly trying to immerse myself in the community. AD: I love that idea of a storyteller at heart and totally relate. I've realized whether I'm teaching others to tell their stories through art education or exploring my own through art and writing, it's always been about the storytelling, and I've always loved learning other people's stories and thinking about how my own story and experiences have shaped me into the person I am today.  © 2020 Amanda Wastrom Art  “Let’s Play! New England Toy Stories” exhibit that Amanda recently helped curate. AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs? AW: I have always been a bit of a wanderer. I was a serious athlete in college (you could say I majored in soccer). When I wasn’t playing sports, I was studying a mix of science and art. I was a curious learner—loved school—and had a really hard time deciding which direction to go. I pursued art and went to art school for graduate school. Not sure why I didn’t pursue illustration while I was there (I got my MFA in Studio Art). I’ve worked as a teacher (Visual Art and English), graphic designer, copywriter, exhibit designer, and curator. Right now, I’m a museum curator as my day job. I love it as it puts all of my skills to use—researching, writing, working with artists, designing. Plus, I get to keep learning. Every time we take on a new exhibition project, I get to learn about something entirely new! And puttering around in our museum’s collection is like digging through the most amazing (and most organized) attic in the world. I would say that the downside is that my day job is demanding and sucks up a lot of my creative energy. I fit my personal work in when I can. AD: How nice you've been able to find a job that weaves together so many of your passions and skills! © 2020 Amanda Wastrom Art  © 2020 Amanda Wastrom Art AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques? AW: My writing tends toward the lyrical and sweet. I am earnest. That’s my gig. I learned all about that from my days as a high school teacher. I would regularly have to get up and speak in front of 800+ students and I learned pretty quickly that I am not funny. I am not quirky. But sincere and earnest? I can do that pretty well. I want to be the writer whose books make you go “awwww” at the end (maybe with a tear…or at the very least, a smile). AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere? AW: I started to get serious about my writing right about the same time I had children. Balancing parenting and a full-time job along with my own creative projects is definitely a challenge. I know there are a lot of people out there who are able to work after their kids go to sleep. I’m not one of those people. I’m often falling asleep alongside them. So, I struggle to find the time and the creative energy to keep my own projects going and to keep the house clean, the garden going, and exercise (yeah, I used to be sporty!). I have found that in the free time I have I can either a) make art or b) exercise. I haven’t figured out how to do both. Has anyone else figured this out? If so, please share your secret! AD: Yes!! The struggle with balance is real! I haven't quite figured it out yet either...  Photo Credit: Aziz Acharki via Unsplash AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey? AW: Right now, I have three PB manuscripts that feel pretty strong and polished and I think I’m ready to start querying. That may seem like a small victory but to me, I’ve been waiting and waiting until I could assemble enough strong work to take the next step. I feel like I’m ready. Some of the best (and simplest) advice I’ve gotten is to just make good work. You can’t do anything or get anywhere if the work isn’t strong to begin with. And you’ve got to spend a lot of time in the trenches to get it to a point where it is strong. To me, that’s a win. AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you? AW: I think I have a pretty strong, consistent voice. I love playing with words at the line level and crafting language that’s on the poetic end of the spectrum. AD: What inspires your work? AW: I live on Cape Cod, and I find that for me, place is a big inspiration. Many of my stories are memories from growing up here or about life on the ocean. Cape Cod has a rich history—it’s full of great stories about the people who have lived here, the architecture, the landscape, and the wildlife. Endlessly inspiring. © 2020 Amanda Wastrom Art AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck? AW: There are artists out there who are the 9 to 5 working artists. They show up every day, put in the hours, and cultivate their creative tools that way. I was never one of those artists—either with my art or my writing. I’m the kind that keeps things open, keeps exercising my creative muscles in other ways and is ready when inspiration does strike. I remember reading Louisa May Alcott’s diary, and she wrote about how she would let her stories percolate in her head. She’d be thinking about them as she was doing her chores around the house. I felt inspired (and validated) by that. The reality is, my own creative time isn’t always there. I try not to beat myself up about that. If I don’t write every day or if I don’t have a chance to make my own work, that’s ok. But if there’s a night when my schedule is free and the kids are asleep, and I’m still awake (like tonight!), I seize on that chance and dive in. Having multiple projects going certainly helps keep the ideas flowing cause if it’s been a while, I can always pick up a manuscript and start revising. That’s a pretty low bar to enter on. I don’t even have to write anything new! AD: What sorts of things have been most integral in your growth as an author-illustrator? AW: I would say that single biggest thing for me was finding a solid critique group of like-minded, equally committed writers. From my days in art school, where critiquing is a part of your everyday life, I know how valuable it is. I can’t evaluate my own work. Every artist knows that. You need community to bounce off of. It took me a while to find one but my crit group is amazing. They have helped me push my writing and my stories further. And just having a deadline to hit keeps me accountable. AD: Community and critique groups are key for accountability and growth. I'm so grateful for my critique group who have been integral towards my development and more importantly, my sanity, ha! AD: What advice do you have for fellow kidlit creatives? AW: I’ve been thinking about how my most meaningful work that I’ve done so far has also been my most personal. The stories that are really about who I am, what I love and what I’ve learned from my life. People say it all the time but if you follow what you love, good things happen. I have always found that to be true. Oh, and the make great work thing. That’s key too. The work has to be great. That’s the first step. AD: Yes! I totally relate to this! I think my best stories come from my personal experiences. They tend to be my strongest and the ones I'm most passionate about. When writing them, they also allow me a space to reflect on these portions of my life and feel good knowing that telling my story may help a child connect, feel inspired, or cope with something similar. Amanda is also a very talented photographer whose scenes from Cape Cod are just GORGEOUS!! You can check out more of her work at the links below. © 2020 Amanda Wastrom Art  © 2020 Amanda Wastrom Art Amanda, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Best of luck as you continue your journey! Feel free to drop a comment below to support Amanda and her work. Stay tuned on Monday where we get to meet another Rising Star in Kidlit, and be sure to subscribe to the blog so you don't miss out, and follow along on Twitter at #RisingStarsinKidlit. If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you! 
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10th Annual Halloweensie Writing Contest (for children's writers)! |
 Kailei loves writing picture books that help kids see they can do anything they set their minds to. | Kailei Pew is a wife, mother, and picture book author represented by the amazing Emily Forney of Bookends Literary. She is an active member of SCBWI, a 2019 Write Mentor Mentee, and a finalist in Susanna Leonard Hill's 2019 Holiday Writing Contest. She loves writing picture books that help kids see they can do anything they set their minds to. Kailei can't wait to get her stories into your hands. |
Welcome and thanks for joining me on the blog, Kailei! I'm so excited to have you here and to learn more about your story and the stories you create for kids. You are unique to the #RisingStarsinKidLit series because before I got to post this, you became agented! Woohooo and BIG congrats! It's crazy how we can be in the querying trenches for weeks, months, and years and then all that can shift so quickly with the right match and the right story! Inspiration! You can read more about Kailei's rise from the query trenches HERE! Let's get to it, Kailei!
AD: Let’s start with a speed round…
- Top three favorite children’s books of all time?Oh man… only three?? Current favorites include Not Quite Snot Whiteby Ashley Franklin and Ebony Glenn, Dandy by Ame Dyckman and Charles Santoso, and The Wall in the Middle of the Book, by Jon Agee. But man, I could list hundreds of favorites!
- Coffee, tea (or neither)? Neither (Gasp! I know…) Give me water any day and hot chocolate on an especially cold day, and I’m sold.
- Where is your safe place? Home. I always feel safe at home with the people I love. Though during the pandemic, I wouldn’t mind leaving every now and again.
- Dogs, cats, (or neither)? Neither… Yikes, I’m really something, aren’t I??
- Early bird or night owl? Recently a night owl. But every now and again I miss my early bird days.
- Three words to describe what it takes to make it in the kidlit world…
AD: Ha! I love all these unexpected answers along with the reminder to have FUN! With all the ups and downs of this creative journey, we can sometimes lose sight of the fun factor but if we are not having fun, we are doing something wrong.
Photo Credit: Tim Mossholder via Unsplash
AD: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
KP: I think there’s always been a part of me who has wanted to write picture books. I’ve always loved them! I request 40 picture books from our library every week because we seriously devour them. I decided in December of 2018 that I officially wanted to be a children’s author. I wrote my first (super bad) picture book and queried it in January 2019. *Face Palm* But one agent was kind enough to respond to my query, even said he loved the idea but it just wasn’t right for the modern picture book market. I decided if I was going to be serious about this writing thing that I needed to invest. So I took some courses, read some books on craft, joined an awesome critique group, and was lucky enough to land a mentorship in March 2019. That experience was super important for me to see that someone else believed in my voice and my writing. Bonnie Swanson taught me a lot about showing, not telling and really helped me to develop my voice. It also connected me with my second amazing critique group, which is when things really picked up for me. This second critique group swaps weekly, which keeps me writing and improving my craft. I jumped back into the query trenches with both feet in October 2019 and never looked back. I was lucky enough to sign with my amazing agent, Emily Forney at Bookends just a couple of weeks ago.
KP: I think there’s always been a part of me who has wanted to write picture books. I’ve always loved them! I request 40 picture books from our library every week because we seriously devour them. I decided in December of 2018 that I officially wanted to be a children’s author. I wrote my first (super bad) picture book and queried it in January 2019. *Face Palm* But one agent was kind enough to respond to my query, even said he loved the idea but it just wasn’t right for the modern picture book market. I decided if I was going to be serious about this writing thing that I needed to invest. So I took some courses, read some books on craft, joined an awesome critique group, and was lucky enough to land a mentorship in March 2019. That experience was super important for me to see that someone else believed in my voice and my writing. Bonnie Swanson taught me a lot about showing, not telling and really helped me to develop my voice. It also connected me with my second amazing critique group, which is when things really picked up for me. This second critique group swaps weekly, which keeps me writing and improving my craft. I jumped back into the query trenches with both feet in October 2019 and never looked back. I was lucky enough to sign with my amazing agent, Emily Forney at Bookends just a couple of weeks ago.
AD: Did you always know you wanted to be an author? Have you explored other paths or had/have other jobs?
KP: It’s funny, because two of my high school English teachers encouraged me to become a writer, but for some reason back then I just wasn’t interested. I loved to write, and I was one of those weird people who loved writing papers, but I also really loved music. I studied Music Therapy for 3 years at Arizona State and absolutely loved it. I took two years off of school and moved to Argentina. It was an incredible experience and I loved my time in South America. When I returned home, Music Therapy just didn’t feel right anymore. I had one year of scholarship left, so I explored my options of what degrees I could finish in that amount of time based on the credits I had already completed. I settled on Human Development and after graduation, I worked as a mentor to at-risk youth, helping them meet the necessary goals to be able to return home after some time in juvenile detention. Because funds were low, I was also asked to serve as the reading teacher. I was hooked and reminded just how much I loved to read and write. When I had my first baby, I knew that I wanted to take some time away from my professional career to be home with my kids. It was a magical time and I especially loved reading picture books to my children. By the time she was 3 years old, my oldest could sit on my lap for over an hour reading picture book after picture book. (Which is why we get so many books from the library each week). That made me want to write my own books. After a few years of just thinking about it/dreaming about it, I decided to get serious about writing and work towards becoming a published author.
AD: Interesting your teachers were encouraging you to become a writer but you weren't interested at that time. I teach high schoolers and whenever they are struggling to decide on what to do when they graduate I always ask them, "Well, what did you like to do when you were little?" I truly believe that the things we enjoy when we are young don't go away as well get older but instead we seem to lose sight of them and sometimes, we just need some help finding our way back.
KP: It’s funny, because two of my high school English teachers encouraged me to become a writer, but for some reason back then I just wasn’t interested. I loved to write, and I was one of those weird people who loved writing papers, but I also really loved music. I studied Music Therapy for 3 years at Arizona State and absolutely loved it. I took two years off of school and moved to Argentina. It was an incredible experience and I loved my time in South America. When I returned home, Music Therapy just didn’t feel right anymore. I had one year of scholarship left, so I explored my options of what degrees I could finish in that amount of time based on the credits I had already completed. I settled on Human Development and after graduation, I worked as a mentor to at-risk youth, helping them meet the necessary goals to be able to return home after some time in juvenile detention. Because funds were low, I was also asked to serve as the reading teacher. I was hooked and reminded just how much I loved to read and write. When I had my first baby, I knew that I wanted to take some time away from my professional career to be home with my kids. It was a magical time and I especially loved reading picture books to my children. By the time she was 3 years old, my oldest could sit on my lap for over an hour reading picture book after picture book. (Which is why we get so many books from the library each week). That made me want to write my own books. After a few years of just thinking about it/dreaming about it, I decided to get serious about writing and work towards becoming a published author.
AD: Interesting your teachers were encouraging you to become a writer but you weren't interested at that time. I teach high schoolers and whenever they are struggling to decide on what to do when they graduate I always ask them, "Well, what did you like to do when you were little?" I truly believe that the things we enjoy when we are young don't go away as well get older but instead we seem to lose sight of them and sometimes, we just need some help finding our way back.
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
KP: Finding an agent was definitely the biggest challenge so far. While I know not everyone takes the agent path and some people find amazing success in submitting on their own, I knew that I wanted an agent. My time in the query trenches was full of ups and downs and was definitely an emotional roller coaster. I think the hardest part of my time querying was when I’d get a “close call.” I had a number of times where agents requested more, but ultimately decided that they didn’t quite connect with the additional pieces as much as they would have liked. And when different agents liked different manuscripts, it was tricky and showed just how subjective it all is. But I reminded myself that my work was valuable and that the rejections weren’t a reflection on me, or even my work. A “no” was really just a “not yet,” and I sent another query for every rejection. Writing new manuscripts also made a huge difference to keep my mind off of the rejections and keep me excited about my work. Once I wrote the right manuscript, it was actually a pretty fast turnaround in finding an agent. It took time and patience, but when the time was right and everything lined up, things suddenly fell into place.
I think it’s also important to remember that these challenges will always be followed by other challenges. I thought “if I can just get an agent, everything will be so much better.” And while that’s partially true, because Emily is a rock star and I love working with her, there are more challenges to come. Waiting to hear back about submissions, finding the right editor, getting more rejections. The key is to just keep moving forward!
AD: Right on! Keep moving forward! One step at a time!!
KP: Finding an agent was definitely the biggest challenge so far. While I know not everyone takes the agent path and some people find amazing success in submitting on their own, I knew that I wanted an agent. My time in the query trenches was full of ups and downs and was definitely an emotional roller coaster. I think the hardest part of my time querying was when I’d get a “close call.” I had a number of times where agents requested more, but ultimately decided that they didn’t quite connect with the additional pieces as much as they would have liked. And when different agents liked different manuscripts, it was tricky and showed just how subjective it all is. But I reminded myself that my work was valuable and that the rejections weren’t a reflection on me, or even my work. A “no” was really just a “not yet,” and I sent another query for every rejection. Writing new manuscripts also made a huge difference to keep my mind off of the rejections and keep me excited about my work. Once I wrote the right manuscript, it was actually a pretty fast turnaround in finding an agent. It took time and patience, but when the time was right and everything lined up, things suddenly fell into place.
I think it’s also important to remember that these challenges will always be followed by other challenges. I thought “if I can just get an agent, everything will be so much better.” And while that’s partially true, because Emily is a rock star and I love working with her, there are more challenges to come. Waiting to hear back about submissions, finding the right editor, getting more rejections. The key is to just keep moving forward!
AD: Right on! Keep moving forward! One step at a time!!
Photo Credit: Gaelle Marcel via Unsplash
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing journey?
KP: I really love a nonfiction project that I worked on for almost a year. It was a labor of love, but it has been an absolute joy to write and I really hope I can get these book babies out into the world someday.
KP: I really love a nonfiction project that I worked on for almost a year. It was a labor of love, but it has been an absolute joy to write and I really hope I can get these book babies out into the world someday.
AD: Ooo! I hope to read it one day! I'm a nonfiction nerd :)
AD: In a similar vein, what do you feel are your strengths as an author? What makes your writing unique to you?
KP: I am always open to revisions. I know that others will have great ideas, and I look forward to the revision process. I think it’s important to listen to ideas and suggestions from others, decide what resonates with you, and then make the changes that feel right.
AD: Yes, this idea is so important to remember. If we are getting critiques, that means we are getting feedback and many times the feedback can vary. It's not realistic to think we should or could incorporate all of it. Digesting and thinking about what resonates is important as you mentioned. I also like to think if I hear the same feedback several times from others, it may be something I want to consider digging deeper into.
AD: What inspires your work?
KP: Most often, my kids. I write the books that I want them to read. The books that will help them know that they can be and do anything they set their minds to. Even my silliest books have some kind of underlying element that anything is possible.
KP: Most often, my kids. I write the books that I want them to read. The books that will help them know that they can be and do anything they set their minds to. Even my silliest books have some kind of underlying element that anything is possible.
Photo Credit: Robyn Budlender via Unsplash
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
KP: Haha! I laugh because my process is a bit of a hot mess… I jot notes down on scraps of paper if I’m in the middle of momming and an idea strikes. I have notebooks with really random notes, documents on my MacBook with long lists of potential titles, lots of Notes on my phone with random phrases that come to find, etc. When I’m ready to actually sit down and write, I have two different methods depending on my mood. Sometimes I just sit down and write and write and write without any worry for where the story is going. Other times, I get my doodle notebook out and get an idea down for the plot, characters, phrases I might want to use, words that would be fun for the story, etc. and plan things out a little better. My stories tend to be better when I have some kind of plan, but I just can’t help being a Panster every now and again.
In the nonfiction realm, my method is completely different. I do a ton of research and jot lots of notes before writing any of the story. I want to really know my subject before I try to write it. I find that my nonfiction books write themselves really quickly when I’m actually ready to write the manuscript, because I’ve done so much research and prep work leading up to the actual drafting. I will literally research for months before writing any of the manuscript.
AD: Fascinating how different the process can be depending on the type of story you are writing. I, too, love nonfiction and LOVE doing the research to learn more about the topic. You never know what little golden nugget you might find that will help guide or focus your vision for the story.
Photo Credit: Aaron Burden via Unsplash
AD: What sorts of things have been most integral in your growth as an author?
KP: Hands down, my critique groups. They have been amazing to see things that I don’t see. People who aren’t emotionally attached to your work can point things out that you aren’t willing to see. And it’s essential to have people in your corner on this writing journey. Author life could be very lonely if we let it. But having a team of people who believe in you and are cheering you on, while you also cheer them on, is huge.
KP: Hands down, my critique groups. They have been amazing to see things that I don’t see. People who aren’t emotionally attached to your work can point things out that you aren’t willing to see. And it’s essential to have people in your corner on this writing journey. Author life could be very lonely if we let it. But having a team of people who believe in you and are cheering you on, while you also cheer them on, is huge.
AD: Yes! CP's rock!
Photo Credit: Craig Hellier via Unsplash
AD: What advice do you have for fellow kidlit creatives?
KP: Don’t give up! You never know when your “yes” will come. After 20 months of rejections, I suddenly had two offers of representation within 24 hours after querying a certain story. It was a whirlwind of emotion going from so many no’s over so much time to that sudden “yes!” Never stop trying. Never stop writing new stories. Never stop putting your work out there. Never stop believing that your “yes” will come. Because it will. I fully believe that if we don’t give up, every single one of us will make it.
Photo Credit: Kelly Lacy via Pexels
AD: Where can readers find out more about you and your work?
KP: I would love to connect!
You can find me on:
Twitter: @PewKailei
Website: kaileipewbooks.com
I would especially love to share my new Blog series, “Tuesday From The Trenches” where I interview a new author every week about their path to representation, showing that there is no one “right” way to land and agent and encouraging authors to keep pushing through.
KP: I would love to connect!
You can find me on:
Twitter: @PewKailei
Website: kaileipewbooks.com
I would especially love to share my new Blog series, “Tuesday From The Trenches” where I interview a new author every week about their path to representation, showing that there is no one “right” way to land and agent and encouraging authors to keep pushing through.
AD: I can't wait to read your "Tuesday From The Trenches" series! Thank you so much for joining me, Kailei and for sharing a bit about yourself and your work! Congrats on all your wonderful accomplishments. We can’t wait to follow along on this next phase of your kidlit journey! Best of luck! Feel free to drop a comment below to support Kailei and her work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe below so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author Kimberly Delude!
 Kim began creating stories for the students she worked with while completing her M.A. at the University of Massachusetts Amherst.  Freddie the Fly is a social series that uses humor and established strategies to help children have fun while improving their communication. | Kimberly is an experienced Speech Language Pathologist who spends her days giving kids a voice. She began creating stories for the students she worked with while completing her M.A. at the University of Massachusetts Amherst. After graduation, she continued creating stories for the preschool and elementary students on her caseload. These early stories turned into the Freddie the Fly series published by Boys Town Press. Freddie the Fly is a social series that uses humor and established strategies to help children have fun while improving their communication. Kim is currently seeking agent representation and working towards getting her picture stories traditionally published. |
Welcome, Kim! I'm thrilled to host you on the Rising Stars in KidLit Series. You are unique in the sense that you technically aren't pre-published, as you have your Freddy the Fly series out with Boys Town Press, but you are working diligently to find an agent who can help you get your remaining kidlit stories traditionally published. I can't wait to hear more about this journey and your projects!
AD: Let’s start with a speed round…
Okay, now down to the serious stuff….
AD: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
KD: I wrote my first book in the first grade. It was a mystery based on a lollipop wrapper but I didn’t start writing again until I was in college. My notebooks are full of class notes and half written stories. So, I’ve always loved reading and writing and did it for fun but never really thought about writing seriously until I was in graduate school. I needed a book on a certain topic for a group of students I was working with and couldn’t find one. So, I sat down and wrote it. That’s how my educational series Freddie the Fly was born. From there, I just kept writing and have been working to break into the traditional market since then.
- Top three favorite children’s books of all time? This is always a hard one because there are so many great ones. I would have to say The Box Car Children, Love You Forever and Corduroy.
- Coffee, tea (or neither)? Tea. I never drink coffee.
- Where is your safe place? The beach
- Dogs, cats, (or neither)? Both.
- Early bird or night owl? Night owl.
- Three words to describe what it takes to make it in the kidlit world…
Okay, now down to the serious stuff….
AD: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
KD: I wrote my first book in the first grade. It was a mystery based on a lollipop wrapper but I didn’t start writing again until I was in college. My notebooks are full of class notes and half written stories. So, I’ve always loved reading and writing and did it for fun but never really thought about writing seriously until I was in graduate school. I needed a book on a certain topic for a group of students I was working with and couldn’t find one. So, I sat down and wrote it. That’s how my educational series Freddie the Fly was born. From there, I just kept writing and have been working to break into the traditional market since then.
AD: Oh my goodness! How fun is that! A lollipop wrapper! I think you need to revisit that one. :) I also love how you saw a gap in the educational market and went ahead and filled it by writing the story yourself. How creative and proactive! Your students are lucky to have you!
Photo Credit: Markus Spiske via Unsplash
AD: Did you always know you wanted to be an author? Have you explored other paths or had/have other jobs?
KD: No, I didn’t ever think of being a writer. While I loved doing it, it was always something just for me. It wasn’t until I got older that I became brave enough to think about sharing my stories. I have wanted to be and have held many different jobs though; everything from HR to Sports Marketing.
AD: What topics or themes do you tend to focus on in your writing? Favorite genres you like to write in?
KD: I love humor. Most of my stories tend to include this element in some way. I feel like kids have so many worries and serious things in their lives that they need some moments when it’s just pure fun.
KD: No, I didn’t ever think of being a writer. While I loved doing it, it was always something just for me. It wasn’t until I got older that I became brave enough to think about sharing my stories. I have wanted to be and have held many different jobs though; everything from HR to Sports Marketing.
AD: What topics or themes do you tend to focus on in your writing? Favorite genres you like to write in?
KD: I love humor. Most of my stories tend to include this element in some way. I feel like kids have so many worries and serious things in their lives that they need some moments when it’s just pure fun.
AD: Totally! Laughter and fun are so important and books can be a great source for that.
Photo Credit: Ben White via Unsplash
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
KD: It's definitely not for the faint of heart. I would say holding an agent's attention is the hardest part. You can have one story that piques their interest but if you don’t have others, it will be a pass. My writing group is one of my best supports for persevering. We all lift each other up. Plus, when a new idea strikes, and the excitement fills you, the rejections just seem to disappear as you write. Ice cream is always helpful, too.
KD: It's definitely not for the faint of heart. I would say holding an agent's attention is the hardest part. You can have one story that piques their interest but if you don’t have others, it will be a pass. My writing group is one of my best supports for persevering. We all lift each other up. Plus, when a new idea strikes, and the excitement fills you, the rejections just seem to disappear as you write. Ice cream is always helpful, too.
AD: Right on to the support of critique groups...and ice cream :)
 Kim's newest book in the Freddie the Fly series, just won a Purple Dragon Fly Award. | AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing journey? KD: I’m very proud of my Freddie the Fly series, The newest book just won a Purple Dragon Fly Award. It can be hard to self-market and get the word out about books that are not in trade publishing. AD: Woohoo! Congrats on that wonderful accomplishment, Kim! |
AD: In a similar vein, what do you feel are your strengths as an author? What makes your writing unique to you?
KD: Everyone has different experiences, which makes them and their stories unique. One of the things specific to me is that I write about topics and styles that can sometimes be considered more boy centric. I love to show that you can be a sport-loving girl who also loves sparkles and princesses.
AD: What inspires your work?
KD: Everything. I know that’s cliché but most of my ideas come from the people and things that are happening around me. A student might say or do something and a story idea pops in my head. Or I might be riding somewhere and see a scene that’s so beautiful I feel like I have to write about it.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
KD: I’ve been more stuck lately then usual with everything that is happening right now. My process is pretty simple though. Typically, ideas just form from things around me, and I either sit down and get right to work or I add it to my idea file-which is really just a note on my phone that I go back to and check from time to time. This can be helpful when I’m stuck because when I read the phrase or mini pitch, it lights a spark in me. However, if I’m really stuck, I go for a walk or do some kind of physical activity to clear my head. The best thing to do is to stop trying to think and let it come to you.
AD: Yes, I think a lot of times we can overthink our process or feel guilty when ideas aren't flowing, but if we stop and allow ourselves space to clear our minds, the ideas come more naturally. Walks in nature always help me, too.
Photo Credit: Can Aslan via Unsplash
AD: What sorts of things have been most integral in your growth as an author?
KD: Writing and writing a lot is helpful. Making sure you have a great critique group is also important. Sometimes you get stuck in your head and the more eyes you can have on your story, the better. They always find some new way to make it better or show you how others will view your story. Taking classes and attending classes is also helpful. Writing is a craft that has to be honed so you can never stop learning.
KD: Writing and writing a lot is helpful. Making sure you have a great critique group is also important. Sometimes you get stuck in your head and the more eyes you can have on your story, the better. They always find some new way to make it better or show you how others will view your story. Taking classes and attending classes is also helpful. Writing is a craft that has to be honed so you can never stop learning.
 Photo Credit: Prateek Katyal via Pexels | AD: What advice do you have for fellow kidlit creatives? KD: Don’t give up! I know it feels like it will never happen but it never will if you stop. When you get a rejection it just means it wasn’t right for that person not that it’s not right for the world. |
AD: Where can readers find out more about you and your work?
KD: You can find out more about me and my books at socationbooks.com or following me on
Twitter: @kimdbooks or Instagram: @thespeechvine.
KD: You can find out more about me and my books at socationbooks.com or following me on
Twitter: @kimdbooks or Instagram: @thespeechvine.
Kim, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Best of luck as you continue your journey! Feel free to drop a comment below to support Kim and her work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published, unagented authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author-Illustrator
Lisa Furness!
Lisa Furness!
As a young girl, Lisa's stories, poems, and drawings were pasted into the family Christmas cards. Lisa is an author-illustrator. Her love of children's books began when her grandmother and aunt (both teachers) gifted her books like, Sam Bangs & Moonshine by Evaline Ness and Are You There God It's Me, Margaret? by Judy Blume. As a young girl, her stories, poems, and drawings were pasted into the family Christmas cards.
© 2020 Lisa Furness Art
Lisa's work with young children in public schools as an educator, and raising three boys, has inspired her to write stories with relatable characters, humor, and heart.
Lisa is seeking agent representation.
© 2020 Lisa Furness Art
Welcome, Lisa! You're our first Rising Star! Hooray! I'm so excited to have you here and chat about all things kidlit and creativity!
One of Lisa's lovely mandalas. Lisa practices mindfulness by hand doodling/drawing mandalas when life distracts her. © 2020 Lisa Furness Art AD: Let’s start with a speed round...
I know, I know – I’m drawn to these books about death/grief Creepy Carrots by Aaron Reynolds,
The Little Red Fort by Brenda Maier, The Scarecrow by Beth Ferry.
AD: Okay, now down to the serious stuff….
AD: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
LF: Five years ago, I was inspired to write my first picture book manuscript about my son who was grieving the loss of his pet chicken. I remember writing that story through tears watching my son go through it and how I felt putting thoughts to paper. Before I was a mom and educator, I earned a BFA from RISD. Why not illustrate my stories too! How hard could it be? I was humbled by my local NESCBWI critique group after realizing that my manuscript was far from a final draft at 1800 words. Thirty plus manuscripts later, I’m finding joy in the journey and making progress. Last year, my manuscript was chosen as runner up by author-illustrator, Cori Doerrfeld, in the PBChat Mentorship. I continue to put my work out into the world by entering writing contests and scholarships and submitting to agents and editors. Although rejections are a reality, I’ve had encouraging feedback and requests for more work. I’ve also received several requests for R&R's (revise and resubmit). I remain persistent and dedicated.
My favorite mantra is to “trust the timing of your life” so I plan to write well into my retirement. I like to practice mindfulness by hand doodling/drawing mandalas when life distracts me. Wondering what happened to that first manuscript? While it’s been the anchor for my other stories, I’m still revising it.
- Top three favorite children’s books of all time?
I know, I know – I’m drawn to these books about death/grief Creepy Carrots by Aaron Reynolds,
The Little Red Fort by Brenda Maier, The Scarecrow by Beth Ferry.
- Coffee, tea (or neither)? Coffee –hot or iced (I prefer Dunks).
- Where is your safe place? My creative work space or on the beach.
- Dogs, cats, (or neither)? I’ve had both but would love to adopt a therapy dog.
- Early bird or night owl? Early birdy but not before daylight!
- Three words to describe what it takes to make it in the kidlit world…
AD: Okay, now down to the serious stuff….
AD: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
LF: Five years ago, I was inspired to write my first picture book manuscript about my son who was grieving the loss of his pet chicken. I remember writing that story through tears watching my son go through it and how I felt putting thoughts to paper. Before I was a mom and educator, I earned a BFA from RISD. Why not illustrate my stories too! How hard could it be? I was humbled by my local NESCBWI critique group after realizing that my manuscript was far from a final draft at 1800 words. Thirty plus manuscripts later, I’m finding joy in the journey and making progress. Last year, my manuscript was chosen as runner up by author-illustrator, Cori Doerrfeld, in the PBChat Mentorship. I continue to put my work out into the world by entering writing contests and scholarships and submitting to agents and editors. Although rejections are a reality, I’ve had encouraging feedback and requests for more work. I’ve also received several requests for R&R's (revise and resubmit). I remain persistent and dedicated.
My favorite mantra is to “trust the timing of your life” so I plan to write well into my retirement. I like to practice mindfulness by hand doodling/drawing mandalas when life distracts me. Wondering what happened to that first manuscript? While it’s been the anchor for my other stories, I’m still revising it.
AD: Thanks for sharing your background, Lisa! I can totally relate to the emotions that go into writing difficult stories especially ones about grief. They are tough, but help us process. Congrats on being chosen as a runner up in last year's PBChat mentorship, too! Putting ourselves out there is one of the hardest parts so kudos to you for being vulnerable and brave!
© 2020 Lisa Furness Art
"Cottie & Mansh" © 2020 Lisa Furness Art
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
LF: I’ve enjoyed drawing and writing since I was a young girl. I dabbled in printmaking (my major in college), craft making, custom home décor, mural painting and set design for local theater, and most recently, house portraits. I love to work with all types of mediums. From the idea, to execution whether it be a picture, a craft, or a story, it’s the creative process that calls to me.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
LM: I tend to focus on heartfelt and humor with relatable characters and strive to write stories with twists and turns that might make you tear up with grief and sentiment or laugh out loud with silly and punny word play.
LF: I’ve enjoyed drawing and writing since I was a young girl. I dabbled in printmaking (my major in college), craft making, custom home décor, mural painting and set design for local theater, and most recently, house portraits. I love to work with all types of mediums. From the idea, to execution whether it be a picture, a craft, or a story, it’s the creative process that calls to me.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
LM: I tend to focus on heartfelt and humor with relatable characters and strive to write stories with twists and turns that might make you tear up with grief and sentiment or laugh out loud with silly and punny word play.
© 2020 Lisa Furness Art
 |  |
© 2020 Lisa Furness Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
LF: My biggest challenge has been connecting with an agent who loves my work as much as I do. I’m on the road this year to receiving over 50 rejections and although I’m getting some positive feedback, it’s difficult-especially when you really want to work with a specific agent. But I keep a gratitude journal to appreciate all the positivity in my life and refer to it every day: “Trust the timing of your life” and "It will all work out” are my favorites.
AD: I keep a gratitude journal as well. They are key to helping maintain the ups and downs of life and this crazy, creative journey. You have some really great mantras and affirmations, too. I find the journal helps me refocus on what's truly important in life.
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
LF: My biggest accomplishment is how far I’ve come with my writing and understanding of the picture book genre since I started five years ago. I feel I have a good understanding of what needs work and what I’m most confident about. I’m most proud of a specific manuscript that has completely changed. I better understand how to tell this particular story in a different way and still honor the message and theme.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
LF: Making a picture book is a collaboration from the moment you put your story out into the world. I like brainstorming ideas and finding solutions with my critique partners, and I’m excited when a critique partner has good news to share from a manuscript they’ve shared with me. I’m not afraid to revise or take risks whether it’s trying different points of view or changing an idea completely if it helps to make the story stronger. I understand different picture book structures and often like to write pitches when I’m critiquing other’s manuscripts. I look forward to the process of collaboration with an agent/editor someday.
LF: My biggest challenge has been connecting with an agent who loves my work as much as I do. I’m on the road this year to receiving over 50 rejections and although I’m getting some positive feedback, it’s difficult-especially when you really want to work with a specific agent. But I keep a gratitude journal to appreciate all the positivity in my life and refer to it every day: “Trust the timing of your life” and "It will all work out” are my favorites.
AD: I keep a gratitude journal as well. They are key to helping maintain the ups and downs of life and this crazy, creative journey. You have some really great mantras and affirmations, too. I find the journal helps me refocus on what's truly important in life.
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
LF: My biggest accomplishment is how far I’ve come with my writing and understanding of the picture book genre since I started five years ago. I feel I have a good understanding of what needs work and what I’m most confident about. I’m most proud of a specific manuscript that has completely changed. I better understand how to tell this particular story in a different way and still honor the message and theme.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
LF: Making a picture book is a collaboration from the moment you put your story out into the world. I like brainstorming ideas and finding solutions with my critique partners, and I’m excited when a critique partner has good news to share from a manuscript they’ve shared with me. I’m not afraid to revise or take risks whether it’s trying different points of view or changing an idea completely if it helps to make the story stronger. I understand different picture book structures and often like to write pitches when I’m critiquing other’s manuscripts. I look forward to the process of collaboration with an agent/editor someday.
AD: Yes! Collaboration can be so fun in critique groups. It's always nice to have a trusted group that can help you grow and develop. It's exciting to know that you've helped someone reach their goal, move past a block, or discover a new way of looking at an old manuscript.
© 2020 Lisa Furness Art
AD: What inspires your work?
LF: Situations or events that have impacted my own children and the children I work with inspire me. Also, picture books I admire and affect me make me aspire to write stories for children that will make a positive difference and influence their world.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
LF: Until recently I haven’t really struggled with the creative process but current life stressors are impacting my ability to focus. But I’m okay with this. When the dust settles I’ll get back into it because I know writing feeds my creative soul.
AD: What sorts of things have been most integral in your growth as an author-illustrator?
LF: My creative community has been so important to me. I’ve attended several conferences and love to getaway and immerse myself in all things writing and connect with writing peers. My critique groups are key to helping my stories become the best they can be. I also belong to Julie Hedlund’s 12x12 and love her informational monthly webinars. Also, Arree Chung’s Storyteller Academy for craft, and I participate in Twitter pitch parties and PBChat. When time and money allow, I enroll in popular writing courses and attend craft webinars, workshops, and book debuts by author friends.
AD: What advice do you have for fellow kidlit creatives?
LF: Read as many picture books as you can get your hands on! The local library is a great place to network with and request books. Participate in the wonderfully generous kidlit community that is out there, join a critique group, and Never Give Up.
LF: Situations or events that have impacted my own children and the children I work with inspire me. Also, picture books I admire and affect me make me aspire to write stories for children that will make a positive difference and influence their world.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
LF: Until recently I haven’t really struggled with the creative process but current life stressors are impacting my ability to focus. But I’m okay with this. When the dust settles I’ll get back into it because I know writing feeds my creative soul.
AD: What sorts of things have been most integral in your growth as an author-illustrator?
LF: My creative community has been so important to me. I’ve attended several conferences and love to getaway and immerse myself in all things writing and connect with writing peers. My critique groups are key to helping my stories become the best they can be. I also belong to Julie Hedlund’s 12x12 and love her informational monthly webinars. Also, Arree Chung’s Storyteller Academy for craft, and I participate in Twitter pitch parties and PBChat. When time and money allow, I enroll in popular writing courses and attend craft webinars, workshops, and book debuts by author friends.
AD: What advice do you have for fellow kidlit creatives?
LF: Read as many picture books as you can get your hands on! The local library is a great place to network with and request books. Participate in the wonderfully generous kidlit community that is out there, join a critique group, and Never Give Up.
AD: Yes! Yes! and yes! Wise words, Lisa ;)
 House Portraits © 2020 Lisa Furness Art  House Ornaments © 2020 Lisa Furness Art |
AD: Where can readers find out more about you and your work?
To learn more about my work you can visit my WEBSITE here!
Lisa's Twitter @_lisafurness
Lisa's instagram @lisalfurness
To learn more about my work you can visit my WEBSITE here!
Lisa's Twitter @_lisafurness
Lisa's instagram @lisalfurness
Lisa, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Feel free to drop a comment below to support Lisa and her work.
Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe below so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
Fall is my favorite season so when I learned that the Fall Writing Frenzy Contest would be taking place again, it was an added bonus! And this year, not only am I submitting, but I'm also honored to be a prize donor! Hooray! I can't wait to connect with another kidlit creative! BIG thanks to Kaitlyn Leann Sanchez and Lydia Lukidis for including me and organizing the event!
Some of the things I love best about autumn are the crisp autumn air, the smoky scent of firewood burning, and of course the burst of beautiful colors within the trees. Ironically, none of these elements appear in my submission for Fall Writing Frenzy. Instead, amongst all of the lovely autumn-themed images to choose from, it was a creepy clown that caught my eye. I kept coming back to it. It made me wonder and reflect. I got to thinking about the idea of masks. Why do we wear them? What are we trying to hide? Who are we hiding from? This is what spurred my idea for my submission.
Rules of the contest: Write a 200-word story geared towards children ages 0-17. The story should be inspired by one of the images provided by the hosts. And speaking of hosts, check out the full rules and FAQ's on Kaitlyn Leann Sanchez and Lydia Lukidis, blogs.
The contest ends tomorrow, October 3rd, 11:59 PM EST so there is still time to submit!
Some of the things I love best about autumn are the crisp autumn air, the smoky scent of firewood burning, and of course the burst of beautiful colors within the trees. Ironically, none of these elements appear in my submission for Fall Writing Frenzy. Instead, amongst all of the lovely autumn-themed images to choose from, it was a creepy clown that caught my eye. I kept coming back to it. It made me wonder and reflect. I got to thinking about the idea of masks. Why do we wear them? What are we trying to hide? Who are we hiding from? This is what spurred my idea for my submission.
Rules of the contest: Write a 200-word story geared towards children ages 0-17. The story should be inspired by one of the images provided by the hosts. And speaking of hosts, check out the full rules and FAQ's on Kaitlyn Leann Sanchez and Lydia Lukidis, blogs.
The contest ends tomorrow, October 3rd, 11:59 PM EST so there is still time to submit!
Here's my entry!!
My creepy clown inspiration. Photo credit via Unsplash.
NOW YOU SEE ME
By Amanda Davis
(152 words, YA audience)
I slowly stretch the rubbery mask over my face.
It reeks of fresh latex.
Staring into the mirror.
Emptiness stares back.
Shark-like teeth,
stretch from ear to ear.
Yellow.
Fierce.
Ready to attack.
Fluorescent red
coils from my head.
Dots my nose.
And smears my lips.
Poof!
With a puff of purple smoke,
I burst into the world.
Roaming the streets.
Hiding behind this frightful facade.
You stare.
You wince.
You laugh.
You cry.
Now,
you see me.
It’s satisfying,
yet unfamiliar.
Empowering,
yet fleeting.
I return home
and peel away the mask.
Sweat covers my face.
Staring into the mirror,
shyness stares back.
a crooked smile,
stretches from ear to ear.
Sad.
Ashamed.
Cowering with insecurity.
Dull black strands
fall limp around my face.
My long nose
and pale lips scream,
“I’m ugly!”
I stare.
I wince.
I laugh.
I cry.
An exhausting existence.
Now you see me.
Now you don’t.
Thanks for reading my entry! I'd love to hear your comments and feedback below. Good luck to all those who submitted, and stay tuned this Monday, October 5th, for my first interview of the Rising Stars in KidLit series. Check back then to learn more, and be sure to sign up below so you don't miss out on new posts! Happy creating y'all and cheers to creepy clown pictures! :)
Who Am I?
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. Amanda is the author of the award-winning picture book, 30,000 Stitches: The Inspiring Story of the National 9/11 Flag, Moonlight Memories (summer, 2023) and a yet to be announced forthcoming title. She also has poetry and illustrations featured in The Writers’ Loft Anthology: Friends & Anemones: Ocean Poems for Children. Amanda has over ten years of experience as a classroom teacher and was selected as Massachusetts Secondary Art Educator of the Year. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her family and her rescue pup, Cora. You can learn more about Amanda at www.amandadavisart.com and on Twitter @amandadavisart and Instagram @amandadavis_art.
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