© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published, unagented authors and author-illustrators who are destined to be stars!
|
Experiencing different cultures and relating to people with a variety of life experiences was one of the key values instilled in Erika growing up. Photo Credit: © 2020 Erika Lynne Jones
© 2020 Erika Lynne Jones Art
|
Erika Lynne Jones is an author and illustrator living in Dallas, Texas with her husband and three daughters. Experiencing different cultures and relating to people with a variety of life experiences was one of the key values instilled in her growing up. Getting to pass this on to her children as a homeschool teacher and to many others through her art and storytelling truly lights her up. She's a member of the Society of Children’s Book Writers and Illustrators (SCBWI), Storyteller Academy and has taken MANY Make Art That Sells Courses.
Erika won the “Beans Around The World” illustration contest sponsored by They Draw and Cook and The USDA Dry Bean Council (2020). She also won an illustration scholarship to the Kweli Journal Color of Children’s Literature 2020 Conference. She's also published in They Draw and Travel’s map anthology, 100 Illustrated Maps of Very Special Places. And most recently she won the Make Art That Sells Illustrating Children’s Books Video Competition. |
© 2020 Erika Lynne Jones Art
AD: Welcome, Erika and thanks for joining me on the blog! I'm so excited to have you here and to learn more about who you are and the work you create for kids. You are another Rising Star who had a recent milestone so before we jump into your interview, please tell us about your BIG news....drum roll please....
ELJ: Thanks, Amanda. I recently accepted an offer for representation with Painted Words, an illustration and literary agency! My agent is Claire Easton. I actually queried the agency exclusively three plus years ago, and I wasn't quite ready. I kept working on my art. As I was getting ready to start querying again this year, they were at the top of my list, so I'm thrilled it came full circle. One cool/helpful thing is my soon to be agent was following me on Instagram and excited about my work.
AD: That's amazing, Erika! Full circle is right!! How exciting it must have been to have one of your top agencies follow you on Instagram and now you are a part of that same agency! Dreams come true! I suppose that is evidence of the importance of putting our work out into the world. You never know who is looking :) Can you tell us a little bit about your time querying?
ELJ: My querying period this time was pretty short. I began in September sending a mix of query letters and attending virtual pitches and critiques at conferences (I'd scheduled them in July). I had offers to consider in October, officially accepting in early November.
AD: Well....it's official! You are now agented! Woohooo and BIG congrats! What an inspiration! I can't wait to hear more about you and your work!
AD: Let's jump into a speed round...
- Top three favorite children’s books of all time? The Snowy Day by Ezra Jack Keats, The Best Time of Day by Valerie Flournoy and George Ford (out of print but I found an old library copy on Amazon), Where the Sidewalk Ends by Shel Silverstein
- Coffee, tea (or neither)? Tea
- Where is your safe place? My home
- Dogs, cats, (or neither)? Neither
- Early bird or night owl? Night Owl
- Three words to describe what it takes to make it in the kidlit world...
AD: Okay, now down to the serious stuff….
Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
ELJ: I fantasized about being an author since childhood. I didn't realize until the last five years or so that I could learn how to draw and become an Illustrator. I worked in education and was a nonprofit executive director in the past. I am also a homeschool teacher.
AD: Yes! I love this! It is never too late to learn a new skill, and you are proof of that. So inspiring! :) I get frustrated and discouraged when I hear adults and students say, "I'm not an artist" or "I can't do art." As you said, making art is something everyone can learn. It's just a matter of interest , dedication, and effort.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
ELJ: Oddly enough I focus on fears I had as a kid that held me back in some way or took me off my path. I feel like there's power in calling these things out for kids at an earlier age so they aren't robbed of the joy of being themselves. I like picture books, although I do have a middle grade book in the digital cloud. I've fallen in love with collage during the pandemic.
AD: There definitely is a power in bringing attention to our fears through our stories and helping children work through them. It is easy to get caught up in the worry and anxieties of life but as you said, this robs us of our joy. I'm so glad you highlight this in your work. Children (and adults) need these stories.
Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
ELJ: I fantasized about being an author since childhood. I didn't realize until the last five years or so that I could learn how to draw and become an Illustrator. I worked in education and was a nonprofit executive director in the past. I am also a homeschool teacher.
AD: Yes! I love this! It is never too late to learn a new skill, and you are proof of that. So inspiring! :) I get frustrated and discouraged when I hear adults and students say, "I'm not an artist" or "I can't do art." As you said, making art is something everyone can learn. It's just a matter of interest , dedication, and effort.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
ELJ: Oddly enough I focus on fears I had as a kid that held me back in some way or took me off my path. I feel like there's power in calling these things out for kids at an earlier age so they aren't robbed of the joy of being themselves. I like picture books, although I do have a middle grade book in the digital cloud. I've fallen in love with collage during the pandemic.
AD: There definitely is a power in bringing attention to our fears through our stories and helping children work through them. It is easy to get caught up in the worry and anxieties of life but as you said, this robs us of our joy. I'm so glad you highlight this in your work. Children (and adults) need these stories.
© 2020 Erika Lynne Jones Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
ELJ: The time it takes to learn and practice your craft and you have to invest quite a bit in materials and courses. To persevere I've relied heavily on the support of my husband and on accountability and critique partners. Without people to talk to and get encouragement from who really understand the journey of a creative, I think this would be impossible. My faith in God also plays a role in my ability to persevere. I consistently meditate and journal to overcome imposter syndrome, and it's in my journaling that I often receive Wisdom about the next steps for my career journey.
AD: The creative life can be very solitary and isolating if we let it so I'm glad you have your support systems in place to lift you up and keep you accountable. I've found mediation and journaling helpful as well. There is something powerful about quieting our minds and making space to really listen and reflect.
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
ELJ: Submitting my work to an illustration contest and being chosen as a cash, grand prize winner earlier this year was a big deal. I'm also proud of persisting past doubt to hone in on my own style and voice in art and storytelling, and most recently, I'm proud of signing with my agent.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
ELJ: My strengths would be my sense of humor and my empathy for people in general, but especially for people with differences. I think the combination of every life experience makes your work unique - my experiences as an African American woman, my experiences as a daughter, wife, mother, travel and educational experiences etc.
AD: Yes! Our experiences make us who we are and help our unique voices shine through in our work.
ELJ: The time it takes to learn and practice your craft and you have to invest quite a bit in materials and courses. To persevere I've relied heavily on the support of my husband and on accountability and critique partners. Without people to talk to and get encouragement from who really understand the journey of a creative, I think this would be impossible. My faith in God also plays a role in my ability to persevere. I consistently meditate and journal to overcome imposter syndrome, and it's in my journaling that I often receive Wisdom about the next steps for my career journey.
AD: The creative life can be very solitary and isolating if we let it so I'm glad you have your support systems in place to lift you up and keep you accountable. I've found mediation and journaling helpful as well. There is something powerful about quieting our minds and making space to really listen and reflect.
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
ELJ: Submitting my work to an illustration contest and being chosen as a cash, grand prize winner earlier this year was a big deal. I'm also proud of persisting past doubt to hone in on my own style and voice in art and storytelling, and most recently, I'm proud of signing with my agent.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
ELJ: My strengths would be my sense of humor and my empathy for people in general, but especially for people with differences. I think the combination of every life experience makes your work unique - my experiences as an African American woman, my experiences as a daughter, wife, mother, travel and educational experiences etc.
AD: Yes! Our experiences make us who we are and help our unique voices shine through in our work.
© 2020 Erika Lynne Jones Art
AD: What inspires your work?
ELJ: My family and my childhood inspire it quite a bit, as well as other artists and forms of art.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
ELJ: My creative process hmmm. Well I try to journal every morning - like morning pages. I try to get regular exercise and eat well. I think these choices all help more than we know. Sleep is a plus too.
I usually begin a new art project or assignment with Pinterest, lots of copy paper, and a pencil or pen. I go back and forth using the strengths of both digital and analog tools until I'm happy with the final product. Writing projects usually begin with flashes of images and me grabbing something to jot down what I see in my head.
AD: I love when those flashes of images or inspiration come to us! It's always a great feeling!
AD: What sorts of things have been most integral in your growth as an author-illustrator?
ELJ:
AD: What advice do you have for fellow kidlit creatives?
ELJ: Have fun creating, because people can feel it. And be yourself.
ELJ: My family and my childhood inspire it quite a bit, as well as other artists and forms of art.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
ELJ: My creative process hmmm. Well I try to journal every morning - like morning pages. I try to get regular exercise and eat well. I think these choices all help more than we know. Sleep is a plus too.
I usually begin a new art project or assignment with Pinterest, lots of copy paper, and a pencil or pen. I go back and forth using the strengths of both digital and analog tools until I'm happy with the final product. Writing projects usually begin with flashes of images and me grabbing something to jot down what I see in my head.
AD: I love when those flashes of images or inspiration come to us! It's always a great feeling!
AD: What sorts of things have been most integral in your growth as an author-illustrator?
ELJ:
- Reading lots of picture books.
- High quality classes and workshops (Make Art That Sells, Storyteller Academy, SCBWI)
- Accountability and Critique Partners
- Networking in classes, at conferences and virtual events
AD: What advice do you have for fellow kidlit creatives?
ELJ: Have fun creating, because people can feel it. And be yourself.
© 2020 Erika Lynne Jones Art
© 2020 Erika Lynne Jones Art
|
AD: Where can readers find out more about you and your work?
ELJ:
|
Erika, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series and congrats again on landing an agent! We can’t wait to read your stories and see your work in the hands of young readers! Best of luck as you continue this next phase of your journey! Feel free to drop a comment below to support Erika and her work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe below so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
|
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
© 2020 Sally Wern Comport Art
0 Comments
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author-Illustrator Anita Crawford Clark!
Author-Illustrator Anita Crawford Clark!
© 2020 Anita Crawford Clark
Anita Crawford Clark states that artistic expression and storytelling always seemed like DNA traits that went hand in hand. Everyone in the family were natural storytellers. But according to her mother, Anita’s artistic talent came from being born with an individually creative soul and with an infectious happiness about ostensibly mundane experiences. Perhaps those combined qualities led Anita into developing her thoughtful reflections and artistic depictions celebrating ordinary Black life and culture. Anita’s art focuses on the heart and soul of Black culture, community, and daily life.
Her artistic compositions, like her literary prose, include scenes reflecting symbolism such as shelling black-eyed peas with Grandma, fishing on a favorite riverbank, tending the garden, and participating in church service. Like some early nineteenth century creators, Anita feels that the symbolic value or meaning of a work of art emanates from the re-creation of emotional experiences in the observer through color, line, and composition. The important aspect of her art is its universality. While at first glance, her compositions seem germane to Black culture, it is representative of human qualities of any culture – love, fear, heartbreak, loss, grief, joy, hope, etc.
However, Anita is not limited in one style or medium. She has also mastered multiple creative mediums as she captures Black Americans’ struggles and trials that also convey perennial hopes and dreams. She is ever learning new artistic skills and nuances in expanding her artistic pallet. Anita welcomes the opportunity to create something special for everyone who engages with her art.
Anita lives in Sacramento, California with her husband and youngest daughter. The mother of two older daughters and three grandchildren, Anita enjoys time with family, outdoor activities, sports, and music. She attended Otis Art Institute in Los Angeles for two years, earned her BA in Sociology from UC Davis, an MFA in creative writing and MS in media psychology. She has taught K-12 for 25 years.
Anita is seeking agent representation.
Her artistic compositions, like her literary prose, include scenes reflecting symbolism such as shelling black-eyed peas with Grandma, fishing on a favorite riverbank, tending the garden, and participating in church service. Like some early nineteenth century creators, Anita feels that the symbolic value or meaning of a work of art emanates from the re-creation of emotional experiences in the observer through color, line, and composition. The important aspect of her art is its universality. While at first glance, her compositions seem germane to Black culture, it is representative of human qualities of any culture – love, fear, heartbreak, loss, grief, joy, hope, etc.
However, Anita is not limited in one style or medium. She has also mastered multiple creative mediums as she captures Black Americans’ struggles and trials that also convey perennial hopes and dreams. She is ever learning new artistic skills and nuances in expanding her artistic pallet. Anita welcomes the opportunity to create something special for everyone who engages with her art.
Anita lives in Sacramento, California with her husband and youngest daughter. The mother of two older daughters and three grandchildren, Anita enjoys time with family, outdoor activities, sports, and music. She attended Otis Art Institute in Los Angeles for two years, earned her BA in Sociology from UC Davis, an MFA in creative writing and MS in media psychology. She has taught K-12 for 25 years.
Anita is seeking agent representation.
"Shelling Black-eyed Peas" © 2020 Anita Crawford Clark Art
Hi Anita, and welcome to the blog! I'm so excited to have you here and chat about all things writing, art, and creativity! I'm already blown away by your background and look at the amazing details and textures in your art! Gorgeous! I can't wait to learn more!
AD: Let’s start with a speed round…
● Top three favorite children’s books of all time?
Tale of Peter Rabbit and anything by Beatrix Potter, Goodnight Moon written by Margaret Wise Brown and illustrated by Clement Hurd, and Long Way Down written by Jason Reynolds.
● Coffee, tea (or neither)? Tea.
● Where is your safe place? My writing and drawing studio.
● Dogs, cats, (or neither)? Both, but right now we have a Guinea Pig.
● Early bird or night owl? Early bird, very early.
● Three words to describe what it takes to make it in the kidlit world…
1. Passion 2. Persistence 3. Paying it forward
● Top three favorite children’s books of all time?
Tale of Peter Rabbit and anything by Beatrix Potter, Goodnight Moon written by Margaret Wise Brown and illustrated by Clement Hurd, and Long Way Down written by Jason Reynolds.
● Coffee, tea (or neither)? Tea.
● Where is your safe place? My writing and drawing studio.
● Dogs, cats, (or neither)? Both, but right now we have a Guinea Pig.
● Early bird or night owl? Early bird, very early.
● Three words to describe what it takes to make it in the kidlit world…
1. Passion 2. Persistence 3. Paying it forward
"Hiding From Mommy" © 2020 Anita Crawford Clark Art
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
ACC: I was born and raised in Sacramento, California. I was the middle child. I had an older brother and sister, and one younger sister. My mother said I was born with a smile on my face and that I was the happiest baby ever. But you know moms. She did, however, encourage my artistic endeavors even though I often used things around the house for creations that were not meant to be cut up, glued, sewed, etc. I loved reading children’s books for as long as I can remember. The first one I fell in love with was the Tale of Peter Rabbit, followed closely by Richard Scarry's Best Word Book Ever. To this day I always purchase those two books for new born babies of family and friends.
AD: That's amazing you had support from your mother from the start, and it sounds like your creative wheels have been spinning and crafting since you were very young. It's funny how certain books seem to resonate and stick with us long into adulthood. For me, I remember the lovely work of a local Massachusetts author-illustrator, Jan Brett. I especially loved her story titled, The Mitten, where readers followed along with a parallel story that was hidden in the borders of each page.
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
ACC: I was born and raised in Sacramento, California. I was the middle child. I had an older brother and sister, and one younger sister. My mother said I was born with a smile on my face and that I was the happiest baby ever. But you know moms. She did, however, encourage my artistic endeavors even though I often used things around the house for creations that were not meant to be cut up, glued, sewed, etc. I loved reading children’s books for as long as I can remember. The first one I fell in love with was the Tale of Peter Rabbit, followed closely by Richard Scarry's Best Word Book Ever. To this day I always purchase those two books for new born babies of family and friends.
AD: That's amazing you had support from your mother from the start, and it sounds like your creative wheels have been spinning and crafting since you were very young. It's funny how certain books seem to resonate and stick with us long into adulthood. For me, I remember the lovely work of a local Massachusetts author-illustrator, Jan Brett. I especially loved her story titled, The Mitten, where readers followed along with a parallel story that was hidden in the borders of each page.
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
ACC: I think I’ve known since I was about eight years old. That is when I started creating my own books. I would illustrate them, write the words and bind them. Then I would invite my little sister and some of the neighborhood kids to be my students. I’d set our garage up as a makeshift school, hand out my homemade books, and teach them. Whether creating books or some other art or craft, it has been a part of my DNA as long as I can remember.
Outside of teaching, other jobs have not exactly been on my radar. Although I do love neuroscience. I am fascinated with how the brain and mind work. This is the reason I decided to earn my PhD. Although my focus is psychology, much of what I’m interested in is neuroscience and positive psychology. I am entrepreneurial minded and thus I have and am always looking to be loosed from the 9-5 regime.
AD: Oh my goodness! I love how you bound your own books and then created your own school for story time and teaching. AMAZING! Your path of teacher, storyteller, and artist was definitely your destiny!
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
ACC: My favorite themes in writing are centered around history, family values and traditions, and the live experiences of people. I love doing research and learning new things. I also enjoy themes on well-being, coping and positive psychology. Mostly, I desire to tell stories in words and visually that allow readers to step into their potential and power. I wish for my words and images to inspire a sense of self-worth and resilience. Words and images that resonate on a deeper level and encourage my readers to reach higher, go farther and laugh louder.
My artistic flavor leans towards soft pastels. I love this medium, although it is quite messy. I also love collage. I enjoy finding unique and interesting papers and patterns to incorporate into my art work. Other mediums and techniques also pique my interest and I explore them as often as I can.
I enjoy writing both fiction and non-fiction in picture books, middle grade and YA. For some reason, I am fond of time travel plots. I even wrote a full-length screenplay that is based on time travel for my MFA Creative Writing thesis. I think one area that people might not know I love, is neuroscience. I drink up anything about the brain and mind.
AD: Reach higher, go farther, laugh louder, and step into your potential and power. Wow! I love it! Although I have yet the pleasure to read your stories, your art speaks volumes. The details and soft colors create a wonderful sense of calm, joy, and wonder. Your characters are full of life and the relationship between May Lily and Grandmama is one I want to know more about. It is a true talent when your art can say so much through visuals alone.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
ACC: My favorite themes in writing are centered around history, family values and traditions, and the live experiences of people. I love doing research and learning new things. I also enjoy themes on well-being, coping and positive psychology. Mostly, I desire to tell stories in words and visually that allow readers to step into their potential and power. I wish for my words and images to inspire a sense of self-worth and resilience. Words and images that resonate on a deeper level and encourage my readers to reach higher, go farther and laugh louder.
My artistic flavor leans towards soft pastels. I love this medium, although it is quite messy. I also love collage. I enjoy finding unique and interesting papers and patterns to incorporate into my art work. Other mediums and techniques also pique my interest and I explore them as often as I can.
I enjoy writing both fiction and non-fiction in picture books, middle grade and YA. For some reason, I am fond of time travel plots. I even wrote a full-length screenplay that is based on time travel for my MFA Creative Writing thesis. I think one area that people might not know I love, is neuroscience. I drink up anything about the brain and mind.
AD: Reach higher, go farther, laugh louder, and step into your potential and power. Wow! I love it! Although I have yet the pleasure to read your stories, your art speaks volumes. The details and soft colors create a wonderful sense of calm, joy, and wonder. Your characters are full of life and the relationship between May Lily and Grandmama is one I want to know more about. It is a true talent when your art can say so much through visuals alone.
"Asleep at Sea" © 2020 Anita Crawford Clark Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
ACC: There are numerous challenges when one endeavors to break into a specialized field. For me, one of those challenges was losing my mother to cancer and my brother to a stroke. It was not easy to stay focused on my writing and art. And after some initial rejections, I put this dream on the back burner - but I never let the flame burn completely out.
Ironically, it was during the initial shelter-in-place orders in March, 2020, that I visited that back burner. I knew now was the time. I dusted off some old manuscripts, wrote some new ones and started creating some new art pieces. But what really blew my mind and amazed me, was the writing community - particularly on Twitter. I had been away for a while and everyone embraced me when I eased my way back in.
Storytelling comes naturally to me. The work for me is revising that story into a manuscript that is worthy to be on a bookshelf one day. That is the work. That is why I am and will continue to grow my storytelling skills. I desire my writing and illustrations to be equally dynamic, engaging, and entertaining.
AD: I'm so sorry about your mother and brother, Anita. Losing loved ones is never easy. I'm glad your creative flame is burning strong once again-a bright spot amidst this crazy year. And yes, the kidlit community on Twitter is amazing! So supportive, generous, and so much knowledge! I feel connected to so many people I've never met but hope to one day!
ACC: There are numerous challenges when one endeavors to break into a specialized field. For me, one of those challenges was losing my mother to cancer and my brother to a stroke. It was not easy to stay focused on my writing and art. And after some initial rejections, I put this dream on the back burner - but I never let the flame burn completely out.
Ironically, it was during the initial shelter-in-place orders in March, 2020, that I visited that back burner. I knew now was the time. I dusted off some old manuscripts, wrote some new ones and started creating some new art pieces. But what really blew my mind and amazed me, was the writing community - particularly on Twitter. I had been away for a while and everyone embraced me when I eased my way back in.
Storytelling comes naturally to me. The work for me is revising that story into a manuscript that is worthy to be on a bookshelf one day. That is the work. That is why I am and will continue to grow my storytelling skills. I desire my writing and illustrations to be equally dynamic, engaging, and entertaining.
AD: I'm so sorry about your mother and brother, Anita. Losing loved ones is never easy. I'm glad your creative flame is burning strong once again-a bright spot amidst this crazy year. And yes, the kidlit community on Twitter is amazing! So supportive, generous, and so much knowledge! I feel connected to so many people I've never met but hope to one day!
"May Lily and Grandmama" © 2020 Anita Crawford Clark Art
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
ACC: For me, submitting my manuscript, putting myself and my work out there for others to love or reject, that is something I’m happy I have had the courage to do. Going for a dream, I mean really getting after it, is not easy. But putting your dreams out there is what it takes in order to realize those dreams.
AD: Yes! Vulnerability is a part of this game. It's not easy but it is necessary if we want to get our stories out in the world and into the hands of young children. Kudos to you for taking that step and chasing your dreams!
ACC: For me, submitting my manuscript, putting myself and my work out there for others to love or reject, that is something I’m happy I have had the courage to do. Going for a dream, I mean really getting after it, is not easy. But putting your dreams out there is what it takes in order to realize those dreams.
AD: Yes! Vulnerability is a part of this game. It's not easy but it is necessary if we want to get our stories out in the world and into the hands of young children. Kudos to you for taking that step and chasing your dreams!
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
ACC: It is our lived experiences that make anything creative people do unique to them. It is the same for me. No one has lived my life, seen what I have seen through my eyes, experienced people, places and events the way I have experienced them. This is what makes my writing and illustrations unique.
AD: I love this and completely relate. No one can write your story but you!
ACC: It is our lived experiences that make anything creative people do unique to them. It is the same for me. No one has lived my life, seen what I have seen through my eyes, experienced people, places and events the way I have experienced them. This is what makes my writing and illustrations unique.
AD: I love this and completely relate. No one can write your story but you!
AD: What inspires your work?
ACC: My dreams inspire my work. Children everywhere inspire my work. My faith in God and God’s creation inspires my work. My family inspires my work. My love of books and learning and growing and giving inspires my work.
ACC: My dreams inspire my work. Children everywhere inspire my work. My faith in God and God’s creation inspires my work. My family inspires my work. My love of books and learning and growing and giving inspires my work.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
ACC: I am one of those people who writes best when the inspiration for a new story or illustration hits me. If I am able to get to a piece of paper or my computer, the ideas flow effortlessly. This happens often for me. I just need an inkling of an idea and I am off to races. The only time I really feel stuck is during the revising process. When I do get stuck, I either do some research or look through some aspect of a writing course that I have taken. If that does not work, I step away from that project and try to do something fun and entertaining.
AD: Yes! Revising can be difficult-especially with varying feedback. It's sometimes hard to know where to start but it sounds like you've found some helpful actions that enable you to push through.
ACC: I am one of those people who writes best when the inspiration for a new story or illustration hits me. If I am able to get to a piece of paper or my computer, the ideas flow effortlessly. This happens often for me. I just need an inkling of an idea and I am off to races. The only time I really feel stuck is during the revising process. When I do get stuck, I either do some research or look through some aspect of a writing course that I have taken. If that does not work, I step away from that project and try to do something fun and entertaining.
AD: Yes! Revising can be difficult-especially with varying feedback. It's sometimes hard to know where to start but it sounds like you've found some helpful actions that enable you to push through.
AD: What sorts of things have been most integral in your growth as an author-illustrator?
ACC: Engaging with the writing community on Twitter, SCBWI and taking courses such as Storyteller Academy, Children’s Book Academy and Visual Storytelling courses with Larissa Marantz, and #BlackCreatorsInKidLit, have been absolutely phenomenal for my growth. This list is hardly exhaustive. I could go on naming Twitter events such #PBPitch, #DVPit, #FaithPitch and #FallWritingFrenzy. These events gave me the opportunity to share my stories with the world. As I mentioned, this takes tremendous courage. As I said, I love research and learning, so I am always reading and gleaming from any source that will inch me one step closer to publication.
AD: Thanks for this wonderful list! So many great communities to learn and grow from!
ACC: Engaging with the writing community on Twitter, SCBWI and taking courses such as Storyteller Academy, Children’s Book Academy and Visual Storytelling courses with Larissa Marantz, and #BlackCreatorsInKidLit, have been absolutely phenomenal for my growth. This list is hardly exhaustive. I could go on naming Twitter events such #PBPitch, #DVPit, #FaithPitch and #FallWritingFrenzy. These events gave me the opportunity to share my stories with the world. As I mentioned, this takes tremendous courage. As I said, I love research and learning, so I am always reading and gleaming from any source that will inch me one step closer to publication.
AD: Thanks for this wonderful list! So many great communities to learn and grow from!
"May Lily & Dropped Peas" © 2020 Anita Crawford Clark Art
AD: What advice do you have for fellow kidlit creatives?
ACC: I would advise kidlit creatives to be true to their voice, even if they think they haven’t found it yet. Be true to your artistic expression. It can be tempting to try and fit into the box one thinks agents and publishers want, but I cannot see how that would be rewarding or interesting. Be you. Do you. Share you. Love you.
AD: Brilliant! :)
ACC: I would advise kidlit creatives to be true to their voice, even if they think they haven’t found it yet. Be true to your artistic expression. It can be tempting to try and fit into the box one thinks agents and publishers want, but I cannot see how that would be rewarding or interesting. Be you. Do you. Share you. Love you.
AD: Brilliant! :)
AD: Where can readers find out more about you and your work?
ACC: I hang out and am active on:
Twitter @AnitaLCkalr and Instagram @Anitasfavpics and my website is acrawfordclark.com
ACC: I hang out and am active on:
Twitter @AnitaLCkalr and Instagram @Anitasfavpics and my website is acrawfordclark.com
Anita, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Best of luck as you continue your journey! Feel free to drop a comment below to support Anita and her work.
Stay tuned on Monday where we get to meet another Rising Star in Kidlit, and be sure to subscribe to the blog so you don't miss out, and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
Stay tuned on Monday where we get to meet another Rising Star in Kidlit, and be sure to subscribe to the blog so you don't miss out, and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
|
© Angela Wood Photography
|
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
© 2020 Sally Wern Comport Art
© 2020 Amanda Davis Art
Here on the Big Kids Writing for Little Kids blog, we're celebrating this week of gratitude with another Rising Stars "Double Feature!"
To close out this crazy and unprecedented year, I wanted to take some time to speak with my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. Hence the inspiration for the interviews in my Rising Stars in KidLit blog series. These interviews will cast a light on the wonderful work of these pre-published, unagented authors and author-illustrators who are destined to be stars! Be sure to visit the link to my blog below in order to read the full interview, and don't forget to spread the word to share about their awesomeness!
To close out this crazy and unprecedented year, I wanted to take some time to speak with my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. Hence the inspiration for the interviews in my Rising Stars in KidLit blog series. These interviews will cast a light on the wonderful work of these pre-published, unagented authors and author-illustrators who are destined to be stars! Be sure to visit the link to my blog below in order to read the full interview, and don't forget to spread the word to share about their awesomeness!
Meet Rising Star
Author-Illustrator Marci Chorpash!
Everybody told Marci that drawing could only be a hobby. Until one day, she decided to pack up her art supplies and head out to make her dreams come true.
|
Marci has been creating art and stories since she was a child. From building Japanese villages in shoeboxes to melting crayons on rocks, curiosity and imagination were plentiful.
As an adult, Marci spent most of her time in a cubicle drawing colorful doodles all over her meeting notes until deciding to pack up her art supplies and make her dreams come true. While Marci still loves experimenting with various media, she is usually writing or making pictures with acrylic paint, collage, or digitally on her iPad. Her work has been exhibited in several cities including Los Angeles and New York. She has illustrated for the Los Angeles Times, Verlag Neue Literatur, and created paintings for private collectors. Marci is currently seeking agent representation. |
© 2020 Marci Chorpash Art
Welcome, Marci! I'm so excited to have you here and chat about your art and writing!
AD: Let’s start with a speed round…
Eloise, with illustrations by Hilary Knight. It’s super difficult to narrow it down to three!
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MC: I am someone who deeply cares and wants to do positive things for the world. I’m optimistic and know the power of words and pictures. Children’s books give me hope for the future. An important part of my journey was when a friend of my brother asked if I would illustrate a book she had written. She was a published author, and I loved creating art so it sounded like a great idea. There are many chapters to this story and it was a wild ride. The greatest takeaways were that I ended up finding SCBWI, fell in love with kid books and found the kidlit community. I learned so much while making and promoting this book, even though it was done in a nontraditional sense. Children’s books have been an important part of my life ever since.
AD: I love that you mention the idea of the power of words and pictures. I have always felt the same and know how powerful of an outlet they were and still are to me. Funny how saying yes to that first project opened up the door to your journey into kidlit. It's a good reminder that sometimes we have to take a chance, even if we are unsure of where the outcome will lead us.
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
MC: I’ve always had many interests, especially creative ones. So deep down, I knew I should be doing something artistic, but didn’t know what. Nevertheless, I was in a hurry to become financially independent. So at a young age, I started working at an electronic component distributor and was selling my art on the side. This lasted for many years until I finally decided to make a plan, save up, and focus on doing what I love.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
MC: I love working on projects that I find humor in, and I am known to laugh at my own jokes.
I also enjoy nonfiction, especially learning about other cultures or about someone whose resilience resulted in something positive. As a child, I remember being obsessed with Helen Keller and teaching myself sign language.
- Top three favorite children’s books of all time?
Eloise, with illustrations by Hilary Knight. It’s super difficult to narrow it down to three!
- Coffee, tea (or neither)? Strong coffee!
- Where is your safe place? In my home studio with my big, golden doggie son pushing against me.
- Dogs, cats, (or neither)? Dogs, the goofier the better.
- Early bird or night owl? Early bird, unless I stay awake too late the night before.
- Three words to describe what it takes to make it in the kidlit world…
Perseverance, practice, and passion.
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MC: I am someone who deeply cares and wants to do positive things for the world. I’m optimistic and know the power of words and pictures. Children’s books give me hope for the future. An important part of my journey was when a friend of my brother asked if I would illustrate a book she had written. She was a published author, and I loved creating art so it sounded like a great idea. There are many chapters to this story and it was a wild ride. The greatest takeaways were that I ended up finding SCBWI, fell in love with kid books and found the kidlit community. I learned so much while making and promoting this book, even though it was done in a nontraditional sense. Children’s books have been an important part of my life ever since.
AD: I love that you mention the idea of the power of words and pictures. I have always felt the same and know how powerful of an outlet they were and still are to me. Funny how saying yes to that first project opened up the door to your journey into kidlit. It's a good reminder that sometimes we have to take a chance, even if we are unsure of where the outcome will lead us.
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
MC: I’ve always had many interests, especially creative ones. So deep down, I knew I should be doing something artistic, but didn’t know what. Nevertheless, I was in a hurry to become financially independent. So at a young age, I started working at an electronic component distributor and was selling my art on the side. This lasted for many years until I finally decided to make a plan, save up, and focus on doing what I love.
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
MC: I love working on projects that I find humor in, and I am known to laugh at my own jokes.
I also enjoy nonfiction, especially learning about other cultures or about someone whose resilience resulted in something positive. As a child, I remember being obsessed with Helen Keller and teaching myself sign language.
© 2020 Marci Chorpash Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
MC: It can be tough to come to terms with the amount of time it takes. Not knowing how things will play out is challenging and exciting at the same time. All I know for sure, is that this is what makes me happy, and I can’t imagine life without writing and making art. So I just keep moving forward.
AD: Yes! The happiness factor is so important. When I'm writing and making art, sometimes I can get lost in creation for hours. It's almost meditative. This doesn't always happen, ha, but when it does, I'm reminded that this is exactly where I'm supposed to be!
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
MC: I’m proud of little things that happened throughout the years to make me stronger. Like showing my work even though I was terrified. Or winning a portfolio contest even though I was convinced my work was awful. Here’s an important experience that helped affirm I was on the right track: Many years ago, at the National Conference in New York, SCBWI would hold an exhibit with original illustrations provided by the attendees. There were many beautiful pieces. I remember picking up my painting after the show to find several notes attached. Three were regarding interest in purchasing the work, and another was a compliment from an agent. When I arrived back in Los Angeles I had a message from an art director at a magazine who wanted to use the image to illustrate an article. Even though I decided to keep the painting and the magazine didn’t publish the article it felt like an amazing accomplishment.
AD: Congrats on those accolades, Marci. In an industry where feedback is sometimes hard to come by, it's nice to get nuggets of praise to know you are on the right track. Every step forward is worth celebrating! :)
MC: It can be tough to come to terms with the amount of time it takes. Not knowing how things will play out is challenging and exciting at the same time. All I know for sure, is that this is what makes me happy, and I can’t imagine life without writing and making art. So I just keep moving forward.
AD: Yes! The happiness factor is so important. When I'm writing and making art, sometimes I can get lost in creation for hours. It's almost meditative. This doesn't always happen, ha, but when it does, I'm reminded that this is exactly where I'm supposed to be!
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
MC: I’m proud of little things that happened throughout the years to make me stronger. Like showing my work even though I was terrified. Or winning a portfolio contest even though I was convinced my work was awful. Here’s an important experience that helped affirm I was on the right track: Many years ago, at the National Conference in New York, SCBWI would hold an exhibit with original illustrations provided by the attendees. There were many beautiful pieces. I remember picking up my painting after the show to find several notes attached. Three were regarding interest in purchasing the work, and another was a compliment from an agent. When I arrived back in Los Angeles I had a message from an art director at a magazine who wanted to use the image to illustrate an article. Even though I decided to keep the painting and the magazine didn’t publish the article it felt like an amazing accomplishment.
AD: Congrats on those accolades, Marci. In an industry where feedback is sometimes hard to come by, it's nice to get nuggets of praise to know you are on the right track. Every step forward is worth celebrating! :)
© 2020 Marci Chorpash Art
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
MC: I’m enjoying the journey and excited to be making an effort to grow. I think that’s a strength. My personal experiences and point of view will always make my work unique to me. I have had difficult times and great ones, too. I’ve done lots of traveling and tend to surround myself with many different types of people. These experiences influence my writing and illustration.
AD: What inspires your work?
MC: It’s difficult to put into words. I never know when inspiration will come knocking. It could happen while going about my day or trying out a new art supply. Sometimes it happens when I least expect it.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MC: My creative process includes research, sketching and experimentation. Getting stuck is part of it. I try to push through by taking breaks, creating something just for fun, or by eating sunflower seeds! Being with with other creative people, walking in nature, looking at art or reading can help too. I notice my ideas flow easier once I start creating instead of overthinking things.
AD: Yum! I love sunflower seeds but have never tried eating them when feeling creatively stuck, ha! Maybe that's the magic I've been missing!
AD: What sorts of things have been most integral in your growth as an author-illustrator?
MC: I get a lot out of taking classes and teaching art to others. I believe in lifelong learning and have a great support system where I can give feedback and get it too.
AD: What advice do you have for fellow kidlit creatives?
MC: Here are a few words based on advice I give to myself: Keep moving forward, you’re getting closer, push through the tough times they are temporary and remember to break down large goals into small tasks.
AD: Wise words, Marci! I especially love the reminder that tough times are temporary. This is easy to forget as difficulties can feel permanent and all-consuming but life is always changing. I believe this comes from the book "Don't Sweat the Small Stuff " by Richard Carlson, but I've learned to ask myself this simple question to put things in perspective...will this matter five years from now....ten years from now....? Most of the time, I can answer no, and this helps me persevere.
MC: I’m enjoying the journey and excited to be making an effort to grow. I think that’s a strength. My personal experiences and point of view will always make my work unique to me. I have had difficult times and great ones, too. I’ve done lots of traveling and tend to surround myself with many different types of people. These experiences influence my writing and illustration.
AD: What inspires your work?
MC: It’s difficult to put into words. I never know when inspiration will come knocking. It could happen while going about my day or trying out a new art supply. Sometimes it happens when I least expect it.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MC: My creative process includes research, sketching and experimentation. Getting stuck is part of it. I try to push through by taking breaks, creating something just for fun, or by eating sunflower seeds! Being with with other creative people, walking in nature, looking at art or reading can help too. I notice my ideas flow easier once I start creating instead of overthinking things.
AD: Yum! I love sunflower seeds but have never tried eating them when feeling creatively stuck, ha! Maybe that's the magic I've been missing!
AD: What sorts of things have been most integral in your growth as an author-illustrator?
MC: I get a lot out of taking classes and teaching art to others. I believe in lifelong learning and have a great support system where I can give feedback and get it too.
AD: What advice do you have for fellow kidlit creatives?
MC: Here are a few words based on advice I give to myself: Keep moving forward, you’re getting closer, push through the tough times they are temporary and remember to break down large goals into small tasks.
AD: Wise words, Marci! I especially love the reminder that tough times are temporary. This is easy to forget as difficulties can feel permanent and all-consuming but life is always changing. I believe this comes from the book "Don't Sweat the Small Stuff " by Richard Carlson, but I've learned to ask myself this simple question to put things in perspective...will this matter five years from now....ten years from now....? Most of the time, I can answer no, and this helps me persevere.
© 2020 Marci Chorpash Art
|
To learn more about Marci's work, you can visit her WEBSITE here! Or follow her on social media: Marci's Twitter @marcichorpash Marci's instagram @mchorpash |
Marci, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Feel free to drop a comment below to support Marci and her work.
Stay tuned Friday for our special "Double Feature" where we get to meet another talented Californian creator, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Stay safe and healthy everyone! Thanks for reading!
Stay tuned Friday for our special "Double Feature" where we get to meet another talented Californian creator, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Stay safe and healthy everyone! Thanks for reading!
|
|
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
© 2020 Sally Wern Comport Art
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author-Illustrator Melissa Mwai
Melissa is an author/Illustrator focusing on picture books. Photo Credit © 2020 Melissa Mwai
© 2020 Melissa Mwai Art
|
Melissa Mwai is an author-illustrator focusing on picture books. Melissa is a member of SCBWI, Storyteller Academy, and 12×12. She has a M.S. in Library Science, a B.A. in English/Creative Writing, and works in Education Assessment. Melissa is currently seeking representation. Notables
|
© 2020 Melissa Mwai Art
Welcome, Mel! I'm so excited to have you here and chat about all things kidlit and creativity!
AD: Let’s start with a speed round…
• Top three favorite children’s books of all time?
This is supposed to be the softball question. So in thinking about the picture books that I love and
made me want to write, they would be: What Do You Call a Dumb Bunny? By Marc Brown (1991),
The Eleventh Hour by Graeme Base (1993), Tuesday by David Wiesner (2011)
• Coffee, tea (or neither)? Both!
• Where is your safe place? With my family.
• Dogs, cats, (or neither)? Dogs. However, I have a pet rabbit.
• Early bird or night owl? Night Owl, but I prefer mornings.
• Three words to describe what it takes to make it in the kidlit world…
Imagination, Perseverance, Authenticity.
• Top three favorite children’s books of all time?
This is supposed to be the softball question. So in thinking about the picture books that I love and
made me want to write, they would be: What Do You Call a Dumb Bunny? By Marc Brown (1991),
The Eleventh Hour by Graeme Base (1993), Tuesday by David Wiesner (2011)
• Coffee, tea (or neither)? Both!
• Where is your safe place? With my family.
• Dogs, cats, (or neither)? Dogs. However, I have a pet rabbit.
• Early bird or night owl? Night Owl, but I prefer mornings.
• Three words to describe what it takes to make it in the kidlit world…
Imagination, Perseverance, Authenticity.
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MM: I’m an Afro-Nuyorican at heart who has always dreamed of creating stories for kids. I’m a huge reader and love audio books (now as a mom). I studied creative writing in college, work in education, and decided as I was approaching my mid-thirties that my dreams of being published weren’t going to happen on their own. I joined Storyteller Academy, SCBWI, and connected with many industry professionals to learn about kidlit craft.
AD: Yes! We must take charge of our dreams and take steps to make them come true! Storyteller Academy and SCBWI have also been part of my journey as well. There are so many kind, friendly, and generous people in the kidlit community. We must not be afraid to reach out to connect or ask for help.
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MM: I’m an Afro-Nuyorican at heart who has always dreamed of creating stories for kids. I’m a huge reader and love audio books (now as a mom). I studied creative writing in college, work in education, and decided as I was approaching my mid-thirties that my dreams of being published weren’t going to happen on their own. I joined Storyteller Academy, SCBWI, and connected with many industry professionals to learn about kidlit craft.
AD: Yes! We must take charge of our dreams and take steps to make them come true! Storyteller Academy and SCBWI have also been part of my journey as well. There are so many kind, friendly, and generous people in the kidlit community. We must not be afraid to reach out to connect or ask for help.
© 2020 Melissa Mwai Art
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
MM: I did not always know I wanted to be an author-illustrator. I loved writing, drawing, and making comics as a kid. As an English major in college, I couldn’t get into any elective art classes. I figured I would write as a hobby...eventually. Afterwards, I taught middle school English. Currently, my day job is in Education Technology. I'd been taking classes at Storyteller Academy for almost a year when I took Vanessa-Brantley Newton’s Character Design class. After that class, I realized I could learn to draw and write for kids.
AD: Vanessa is amazing and so inspiring! I'm not surprised she opened your eyes to the possibility of illustrating as well. A good teacher can make all the difference ;) As I tell my own students, art is a skill that can be learned. We can get better and improve just like playing a sport or an instrument. Everyone can make art. Often, the biggest obstacle in the way is ourselves and believing that we CAN DO IT!!
MM: I did not always know I wanted to be an author-illustrator. I loved writing, drawing, and making comics as a kid. As an English major in college, I couldn’t get into any elective art classes. I figured I would write as a hobby...eventually. Afterwards, I taught middle school English. Currently, my day job is in Education Technology. I'd been taking classes at Storyteller Academy for almost a year when I took Vanessa-Brantley Newton’s Character Design class. After that class, I realized I could learn to draw and write for kids.
AD: Vanessa is amazing and so inspiring! I'm not surprised she opened your eyes to the possibility of illustrating as well. A good teacher can make all the difference ;) As I tell my own students, art is a skill that can be learned. We can get better and improve just like playing a sport or an instrument. Everyone can make art. Often, the biggest obstacle in the way is ourselves and believing that we CAN DO IT!!
© 2020 Melissa Mwai Art
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
MM: Even though I don’t travel a lot, I like the idea of taking my characters on adventures. They often are forced to explore new places, work with new people, or stretch themselves to consider new ideas, which can be a little scary at times.
AD: I love all the fun worlds you build for your characters, and I also see a reoccurring word here....NEW. As you mentioned, often new can be scary to children (and even adults). It's nice you are using your work to encourage children to explore and navigate new people, places, and things so they can come to learn that new is beautiful and there is much to learn when we are not afraid to explore.
© 2020 Melissa Mwai Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
MM: One of the biggest challenges is being objective based on where I am in the journey and how to keep growing. Sometimes, it meant giving myself permission to work fast and not edit my writing or art before it was down on paper. Other times it meant getting an outside opinion from a critique partner or industry professional on what was working and what wasn’t. And other times, it meant filling myself with things that inspired me. Lastly, it is finding what I’m passionate about and putting myself in the stories I create. As a person of color, I want to tell authentic stories that connect to my roots and invite readers to see themselves or what could be, too.
AD: What a great point, Mel. Each phase of our journey calls for something different. It's great to be aware of these needs and recognize the constant fluctuations in our process. I'm glad you've found specific items that work for you and have the supports you need to help you along in each phase. Being authentic is so important, and I can definitely see your own authenticity shining through in your work.
MM: One of the biggest challenges is being objective based on where I am in the journey and how to keep growing. Sometimes, it meant giving myself permission to work fast and not edit my writing or art before it was down on paper. Other times it meant getting an outside opinion from a critique partner or industry professional on what was working and what wasn’t. And other times, it meant filling myself with things that inspired me. Lastly, it is finding what I’m passionate about and putting myself in the stories I create. As a person of color, I want to tell authentic stories that connect to my roots and invite readers to see themselves or what could be, too.
AD: What a great point, Mel. Each phase of our journey calls for something different. It's great to be aware of these needs and recognize the constant fluctuations in our process. I'm glad you've found specific items that work for you and have the supports you need to help you along in each phase. Being authentic is so important, and I can definitely see your own authenticity shining through in your work.
© 2020 Melissa Mwai Art
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
MM: I’m reveling in the fact that Megan and Jorge Lacera selected me as one of their 2020 #PBChat Mentees hosted by author, Justin Colon. I’ve been learning so much from them both.
AD: Woohooo! Congratulations! What a treat! Can't wait to see what comes of it :)
MM: I’m reveling in the fact that Megan and Jorge Lacera selected me as one of their 2020 #PBChat Mentees hosted by author, Justin Colon. I’ve been learning so much from them both.
AD: Woohooo! Congratulations! What a treat! Can't wait to see what comes of it :)
© 2020 Melissa Mwai Art
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
MM: My biggest strength as an author-illustrator is that I think about stories a lot. I’m a craft nerd. I like to ask myself “What if?” or “What next?” and then draw or write what hooks me about the concept. No one’s life experience is the same. I believe everyone has a story to tell from their perspective. On social media l describe myself as an author, illustrator, geek, and mom. At any point in time, all of those parts of me influence my stories and art.
AD: I love this! I ask a lot of questions so definitely relate to this approach. I also reflect a lot on my identity and the things that make me who I am. I find these aspects come through in my work as well. We hear the word "voice" used a lot in craft. I like to think that my voice really is my identity. It's who I am, and it shows up in each of my stories.
MM: My biggest strength as an author-illustrator is that I think about stories a lot. I’m a craft nerd. I like to ask myself “What if?” or “What next?” and then draw or write what hooks me about the concept. No one’s life experience is the same. I believe everyone has a story to tell from their perspective. On social media l describe myself as an author, illustrator, geek, and mom. At any point in time, all of those parts of me influence my stories and art.
AD: I love this! I ask a lot of questions so definitely relate to this approach. I also reflect a lot on my identity and the things that make me who I am. I find these aspects come through in my work as well. We hear the word "voice" used a lot in craft. I like to think that my voice really is my identity. It's who I am, and it shows up in each of my stories.
© 2020 Melissa Mwai Art
AD: What inspires your work?
MM: Another tough question. From an idea perspective, my memories, my culture, and my family inspire me. From a craft perspective, there are so many individuals I look up to; but I often revisit books by Vanessa Brantley-Newton, Christian Robinson, and Mo Willems.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MM: I have a giant idea file on my phone. Sometimes it is words, phrases, images, titles, even links to articles. I am also an eavesdropper. I love jotting down snippets of conversations I hear in my house. With my spouse, a seven year old, and a four year old, there’s always something interesting happening that might spark an idea. What do I do when I get stuck? I try to lower the stakes and give myself permission to do anything and everything for my eyes only. Write one sentence. Draw for one minute. Revise something. Or reread old work I’m proud of to remind myself I can do it even if I don’t feel like I am able to at this moment.
AD: Who knew, eavesdropping could come in handy! I have too many scattered phrases, sentences, and partial story ideas in the 'Notes" app on my phone to count. Since, I usually have my phone with me throughout the day, it's often the best tool for me to capture those spontaneous lightbulb moments.
MM: Another tough question. From an idea perspective, my memories, my culture, and my family inspire me. From a craft perspective, there are so many individuals I look up to; but I often revisit books by Vanessa Brantley-Newton, Christian Robinson, and Mo Willems.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MM: I have a giant idea file on my phone. Sometimes it is words, phrases, images, titles, even links to articles. I am also an eavesdropper. I love jotting down snippets of conversations I hear in my house. With my spouse, a seven year old, and a four year old, there’s always something interesting happening that might spark an idea. What do I do when I get stuck? I try to lower the stakes and give myself permission to do anything and everything for my eyes only. Write one sentence. Draw for one minute. Revise something. Or reread old work I’m proud of to remind myself I can do it even if I don’t feel like I am able to at this moment.
AD: Who knew, eavesdropping could come in handy! I have too many scattered phrases, sentences, and partial story ideas in the 'Notes" app on my phone to count. Since, I usually have my phone with me throughout the day, it's often the best tool for me to capture those spontaneous lightbulb moments.
© 2020 Melissa Mwai Art
AD: What sorts of things have been most integral in your growth as an author-illustrator?
MM: Storyteller Academy gave me a fantastic foundation. Also I can’t stress enough how important it is to just write and scribble for yourself. Lastly, being part of a critique group has helped me grow. They help me remember my dream and stay inspired and remember why I love creating stories for kids.
AD: What advice do you have for fellow kidlit creatives?
MM: Compare yourself to yourself. Everyone has terrible first drafts or ugly drawings. We just don’t see that when looking at a published work. You may be at the part of your journey where you are just learning or in the trenches of submission or writing your next story...there are always places in the creative process that are hard, but those are the parts where you stretch and grow. Hopefully, whenever you look back, you aren’t in the same place creatively where you started.
AD: YESSSSS! Comparison can be toxic so I love how you flipped it on its head here. If we are doing the best we can do and giving it 100%, than we should feel good about that. If we are continuing to learn, then we are inevitably going to get better and grow. It is unfair to compare our work to others who may have more experience or been at it for longer. Of course they are going to be farther along in their skills, and that's okay! In this case, I try to use it as motivation--if they can do it, I can do it, too!
MM: Storyteller Academy gave me a fantastic foundation. Also I can’t stress enough how important it is to just write and scribble for yourself. Lastly, being part of a critique group has helped me grow. They help me remember my dream and stay inspired and remember why I love creating stories for kids.
AD: What advice do you have for fellow kidlit creatives?
MM: Compare yourself to yourself. Everyone has terrible first drafts or ugly drawings. We just don’t see that when looking at a published work. You may be at the part of your journey where you are just learning or in the trenches of submission or writing your next story...there are always places in the creative process that are hard, but those are the parts where you stretch and grow. Hopefully, whenever you look back, you aren’t in the same place creatively where you started.
AD: YESSSSS! Comparison can be toxic so I love how you flipped it on its head here. If we are doing the best we can do and giving it 100%, than we should feel good about that. If we are continuing to learn, then we are inevitably going to get better and grow. It is unfair to compare our work to others who may have more experience or been at it for longer. Of course they are going to be farther along in their skills, and that's okay! In this case, I try to use it as motivation--if they can do it, I can do it, too!
AD: Where can readers find out more about you and your work?
MM: My website is https://melissamwai.com.
I also post tips and resources for kidlit creatives on my blog #KidLitCliffNotes twice a week.
If you want to chat, I’m on Twitter and Instagram.
AD: #KidLitCliffNotes is the best! So many wonderful nuggets to absorb. You should all check it out!
© 2020 Melissa Mwai Art
Mel, it's been a pleasure hosting you here on Big Kids Writing for Little Kids. Hooray!! Thank you so much for taking the the time to share and contributing to the Rising Stars in Kidlit series! Best of luck as you continue to persevere along your kidlit journey! We can't wait to read your stories and see more of your joyful art! Feel free to drop a comment below to support Melissa and her work.
Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
|
© Angela Wood Photography
|
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
© 2020 Sally Wern Comport Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author Mary McClellan
Mary's alter ego-Kate the bunny-eared pup! Photo Credit © 2020 Mary McClellan
|
Mary McClellan writes picture books in the company of dogs. With four rescues, there’s always one by her side and usually another under her feet. A wife and dog-ma, she lives in Columbus, Ohio. Mary often finds new story ideas when researching a topic that interests her. She’s had a story and several puzzles published in Highlight’s magazine. Mary is currently seeking agent representation. |
Meet four of Mary's favorite writing partners. Woof!
Photo Credit ©2020 Mary McClellan
Photo Credit ©2020 Mary McClellan
Welcome, Mary! I'm so excited to host you and get to know more about who you are and your journey into kidlit!
AD: Let's start with the speed round:
- Top three favorite children’s books of all time? I have to go with the rule of three on this.
- Wings: A Tale of Two Chickens – James Marshall : Really anything by James Marshall. (I knew the two chickens!)
- The Sniffles for Bear – Bonny Becker/Kady MacDonald Denton: Love the voice and over-the-top drama. I want to visit mouse and bear in bear’s cozy house.
- XO, OX: A Love Story – Adam Rex/Scott Campbell: This book cracks me up every time I read it. Love the voice & drama. What a perfect author/illustrator collaboration. Funny letters with hilarious illustrations. Campbell had me with the vain gazelle on her fainting couch. I’ll read this book to anyone who comes within 10 feet of me.
- The Dot – Peter H. Reynolds: Anything by Peter H. Reynolds
- Shelter – Celine Claire/Qin Leng: This is a beautiful book about compassion and generosity. Full of heart. Combined with the illustrations, it’s a treasure.
- Big Wolf, Little Wolf – Nadine Brun-Cosme/Olivier Tallec: A wonderful story about friendship. You can see Big Wolf’s emotions in the illustrations. A powerful book.
- Wherever You Go – Pat Zietlow Miller/ Eliza Wheeler: Wonderful writing. The illustrations are eye candy.
- Coffee, tea (or neither)? Definitely coffee.
- Where is your safe place? Home. It’s my cocoon.
- Dogs, cats, (or neither)? Dogs, dogs, dogs! I adore dogs. We adopt senior rescue dogs and help with a rescue organization. I can’t imagine not having at least one dog. (We have four.) I love to meet fellow writers who have dogs.
- Early bird or night owl? Former night owl turned early bird.
- Three words to describe what it takes to make it in the kidlit world…I’ll tell you what’s gotten me where I am today. (1) Perseverance. (2) Studying craft. (3) Writing. (4) Revising. (5) Critiques. (6) Rewriting. (7) Kidlit community sharing and support (8) Friendship and support of fellow writers.
Sister Beluga makes an appearance :)
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MM: After years of analyzing and writing about federal regulations and state laws, developing work standards, flowcharts and strategic plans, I discovered another world. One where people meet to discuss the emotions of a porcupine trying to make friends with a cactus. The heavens parted and angels sang. I’d found my peeps.
I stumbled into kidlit with my dog. While playing with him one morning, I framed his face with a sheet. Babushka? Hmm. Habit? Yes! I made up a story about Spot going undercover as a nun to solve a mystery at a convent. I had a habit made for him. Inspiration for me and a source of great amusement for the neighbors.
You don’t know what you don’t know, but I knew there was a lot I didn’t know about writing a story. So, my plan of attack was to find a class somewhere. In the process, I discovered SCBWI (Society of Children's Book Writers and Illustrators). And there I learned about the Institute of Children’s Literature (ICL). ICL was exactly what I needed, and I can’t praise their program enough. Getting written feedback on assignments and questions was invaluable. I completed their course and then signed up for another one on writing for magazines.
I attended Highlights week-long program at Chautauqua. While there, I had two manuscripts critiqued. One was later accepted and published in Highlights. Not long after that, I went on a puzzle-creating spree and had 4 or 5 puzzles published in Highlights.
I love puzzles and have included some in a couple of my stories. A (draft) chapter book I’ve written is based on puzzles.
AD: I love how spontaneous your kidlit ephinany was. Dogs tend to inspire us in that way so I'm actually not surprised :) Congrats on your success with Highlights as well. I also love that reminder that "you don't know what you don't know." This is a good way to gauge growth, too. I think back to when I first dove into kidlit and knew so little, ha! I know sooo much more now. It's easy to lose sight of how far we've some so thanks for the reminder to stop and celebrate our progress. Cheers to growth!
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
MM: After years of analyzing and writing about federal regulations and state laws, developing work standards, flowcharts and strategic plans, I discovered another world. One where people meet to discuss the emotions of a porcupine trying to make friends with a cactus. The heavens parted and angels sang. I’d found my peeps.
I stumbled into kidlit with my dog. While playing with him one morning, I framed his face with a sheet. Babushka? Hmm. Habit? Yes! I made up a story about Spot going undercover as a nun to solve a mystery at a convent. I had a habit made for him. Inspiration for me and a source of great amusement for the neighbors.
You don’t know what you don’t know, but I knew there was a lot I didn’t know about writing a story. So, my plan of attack was to find a class somewhere. In the process, I discovered SCBWI (Society of Children's Book Writers and Illustrators). And there I learned about the Institute of Children’s Literature (ICL). ICL was exactly what I needed, and I can’t praise their program enough. Getting written feedback on assignments and questions was invaluable. I completed their course and then signed up for another one on writing for magazines.
I attended Highlights week-long program at Chautauqua. While there, I had two manuscripts critiqued. One was later accepted and published in Highlights. Not long after that, I went on a puzzle-creating spree and had 4 or 5 puzzles published in Highlights.
I love puzzles and have included some in a couple of my stories. A (draft) chapter book I’ve written is based on puzzles.
AD: I love how spontaneous your kidlit ephinany was. Dogs tend to inspire us in that way so I'm actually not surprised :) Congrats on your success with Highlights as well. I also love that reminder that "you don't know what you don't know." This is a good way to gauge growth, too. I think back to when I first dove into kidlit and knew so little, ha! I know sooo much more now. It's easy to lose sight of how far we've some so thanks for the reminder to stop and celebrate our progress. Cheers to growth!
AD: Did you always know you wanted to be an author? Have you explored other paths or had/have other jobs?
MM: I knew I wanted to write something fun. I just didn’t know what that was. There are no “fun jobs” listings for language majors. Writing a book was never on my radar. So, I spent a lot of years, in a lot of jobs, analyzing a lot of things, and writing a lot of reports, work standards, memos, alerts, officewide communications, and on and on and on. Now I’m having fun.
AD: So glad you've found your "fun job" :) I think for many of us, it takes a bit of time to get there!
MM: I knew I wanted to write something fun. I just didn’t know what that was. There are no “fun jobs” listings for language majors. Writing a book was never on my radar. So, I spent a lot of years, in a lot of jobs, analyzing a lot of things, and writing a lot of reports, work standards, memos, alerts, officewide communications, and on and on and on. Now I’m having fun.
AD: So glad you've found your "fun job" :) I think for many of us, it takes a bit of time to get there!
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
MM: The challenge du jour is creating multiple manuscripts worthy of submitting to an agent. I’m reworking manuscripts and visiting story ideas I filed away. One happy surprise was taking one of those ideas and quickly, for me, writing a manuscript now ready to submit. I don’t mean to imply I didn’t go through multiple revisions and critiques. I did. But I was able to work through the problem areas fairly quickly. I’m also making headway on a couple of other manuscripts I’d filed away. The joy of pulling those out again is that the research is done. It’s like finding a gift. I’ve also had enough time away from the stories to see them with fresh eyes.
Persevering? My WIPs are like puzzles I want to solve. If I love the character or the story, I’ll figure it out. Eventually. If I discover I’m not in love, I’ll file the story away again. Ideas sometimes come when I’m not thinking about a story. Hope springs eternal. In the meantime, though, I’ll move onto a new idea. The love of language and story keep me keep me trying.
AD: I love when some manuscripts seem to come together more quickly, or just pour out. I always wonder why this is the case when it happens. It doesn't happen very often for me but when it does, I just let it flow!
MM: The challenge du jour is creating multiple manuscripts worthy of submitting to an agent. I’m reworking manuscripts and visiting story ideas I filed away. One happy surprise was taking one of those ideas and quickly, for me, writing a manuscript now ready to submit. I don’t mean to imply I didn’t go through multiple revisions and critiques. I did. But I was able to work through the problem areas fairly quickly. I’m also making headway on a couple of other manuscripts I’d filed away. The joy of pulling those out again is that the research is done. It’s like finding a gift. I’ve also had enough time away from the stories to see them with fresh eyes.
Persevering? My WIPs are like puzzles I want to solve. If I love the character or the story, I’ll figure it out. Eventually. If I discover I’m not in love, I’ll file the story away again. Ideas sometimes come when I’m not thinking about a story. Hope springs eternal. In the meantime, though, I’ll move onto a new idea. The love of language and story keep me keep me trying.
AD: I love when some manuscripts seem to come together more quickly, or just pour out. I always wonder why this is the case when it happens. It doesn't happen very often for me but when it does, I just let it flow!
Photo Credit: 2Photo Pots via Unsplash
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
MM: Publication of a story and puzzles in Highlights magazine was a big accomplishment. But I’m also proud of the progress I know I’ve made in creating a story and eliminating unnecessary words.
AD: Yay! Congrats on getting your story and puzzles published in Highlights, Mary! I've loved Highlights ever since I was young. We used to have a subscription, and my favorite was the Hidden Pictures Puzzles where you would have to spot what was different between the two images. Oh the memories! So fun!
MM: Publication of a story and puzzles in Highlights magazine was a big accomplishment. But I’m also proud of the progress I know I’ve made in creating a story and eliminating unnecessary words.
AD: Yay! Congrats on getting your story and puzzles published in Highlights, Mary! I've loved Highlights ever since I was young. We used to have a subscription, and my favorite was the Hidden Pictures Puzzles where you would have to spot what was different between the two images. Oh the memories! So fun!
Photo Credit: Hannah Grace via Unsplash
AD: In a similar vein, what do you feel are your strengths as an author? What makes your writing unique to you?
MM: I like to think it’s my voice, my use of language, and my story ideas.
AD: What inspires your work?
MM: Sometimes reading an interesting fact will inspire me to create a story. Pictures have also pushed my story-creating button. I fractured a couple of fairy tales because I thought I had better endings and messages. And sometimes there’s a message I want to convey so I create a story to present the idea to readers.
AD: I often get inspired by facts and images as well. There is so much inspiration out there. I think the true challenge is slowing down and paying attention to it all.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MM: I read, go for walks, sit on my deck with the dogs, and soak in nature. I also keep a notebook and pens by my bed. Lately I’ve been getting ideas around 4 a.m.
MM: Sometimes reading an interesting fact will inspire me to create a story. Pictures have also pushed my story-creating button. I fractured a couple of fairy tales because I thought I had better endings and messages. And sometimes there’s a message I want to convey so I create a story to present the idea to readers.
AD: I often get inspired by facts and images as well. There is so much inspiration out there. I think the true challenge is slowing down and paying attention to it all.
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
MM: I read, go for walks, sit on my deck with the dogs, and soak in nature. I also keep a notebook and pens by my bed. Lately I’ve been getting ideas around 4 a.m.
AD: What sorts of things have been most integral in your growth as an author?
MM: Certainly studying craft and exchanging critiques. A big thing I learned, after years of fighting it, was to create dummies. I can’t draw, but I can use stick figures and/or clip art. The important thing is I get something on the paper and then I can see how words can be eliminated. This was a head-smacking moment.
AD: YES! The power in creating dummies! As you said, even if you don't consider yourself an artist (which don't get the art teacher started on that, hehe), a dummy can still be wildly beneficial. Among other things, it always helps me trim words and see the page turns more clearly.
MM: Certainly studying craft and exchanging critiques. A big thing I learned, after years of fighting it, was to create dummies. I can’t draw, but I can use stick figures and/or clip art. The important thing is I get something on the paper and then I can see how words can be eliminated. This was a head-smacking moment.
AD: YES! The power in creating dummies! As you said, even if you don't consider yourself an artist (which don't get the art teacher started on that, hehe), a dummy can still be wildly beneficial. Among other things, it always helps me trim words and see the page turns more clearly.
AD: What advice do you have for fellow kidlit creatives?
MM: Keep writing. Keep drawing. Keep studying craft. Keep getting critiques. Repeat, repeat, repeat. We’ll only get better by doing more of what we love. Every so often, look back at something you created years ago. You’ll see how far you’ve come. I’ve found a couple of cringeworthy manuscripts, so I know I’m getting better. ? You are too. Good luck!
AD: Great advice, Mary! I love looking back at old art and writing. I even have some from grade school and college that give me a good chuckle. Every step forward should be celebrated and with practice comes growth. Good luck to you as well!!
MM: Keep writing. Keep drawing. Keep studying craft. Keep getting critiques. Repeat, repeat, repeat. We’ll only get better by doing more of what we love. Every so often, look back at something you created years ago. You’ll see how far you’ve come. I’ve found a couple of cringeworthy manuscripts, so I know I’m getting better. ? You are too. Good luck!
AD: Great advice, Mary! I love looking back at old art and writing. I even have some from grade school and college that give me a good chuckle. Every step forward should be celebrated and with practice comes growth. Good luck to you as well!!
Mary and her furry writing partners. Photo Credit © 2020 Mary McClellan
|
AD: Where can readers find out more about you and your work? MM: I’m on Facebook @Mary McClellan. Send me a friend request! |
Thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series, Mary! We can’t wait to read your stories and see your work in the hands of young readers! Feel free to drop a comment below to support Mary and her work.
Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
|
© Photo Credit 2020 Angela Wood Photography
|
Hi! I'm Amanda!
Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and rescue pup, Cora. Amanda is represented by Jennifer Unter of The Unter Agency. Her debut picture book, 30,000 STITCHES hits stores May 4, 2021 with WorthyKids/Hachette Book Group. See below to enter for a chance to win a signed copy of the book! |
© 2020 Sally Wern Comport Art
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published, unagented authors and author-illustrators who are destined to be stars!
Meet Rising Star
Judith Valdes Breidenstine!
 | Judith is a Mexican-American writer and illustrator who has lived in five countries on three continents. As a result, her work is a rich tapestry of multicultural influences. An SCBWI member, Children's Book Academy graduate, and student at the Institute of Children's Literature, she also has degrees in Illustration (BFA), Business Administration (BA), and International Affairs (MA). Judith is currently seeking agent representation. |
© 2020 Judith Valdes Breidenstine Art
Welcome, Judith! I'm so excited to have you here on the Rising Stars in KidLit Series. I remember first seeing your art on #LatinxPitch and fell in love with your soft color palettes and the "tapestry of multicultural influences" as you so beautifully call it. I can't wait to hear more about your journey and your projects!
AD: Let’s start with a speed round…
- Top three favorite children’s books of all time? I have so many favorite books, but the following are three of them: Snow by Uri Shulevitz, Drawn Together written by Minh Le and illustrated by Dan Santat, and Planting Stories written by Anika Denise and illustrated by Paola Escobar.
- Coffee, tea (or neither)? Coffee before noon. Any time after that, tea; usually one without caffeine.
- Where is your safe place? My little home office, but when I am able to travel, my parent's house in Mexico.
- Dogs, cats, (or neither)? Both, but currently I have a dog.
- Early bird or night owl? Very early bird. Alarm usually goes off at 4 a.m., hence the coffee before noon.
- Three words to describe what it takes to make it in the kidlit world…
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
JVB: I was born and raised in Mexico, and grew up listening to my father tell stories to anyone and everyone who would listen. Coming from a big family, even at very early age, I would look for places to hide, where I could lose myself in my sketches and writings. Most of my early works were about magical places where the characters had no limitations. They could dive into the deepest oceans or fly into space and sit on the moon. I always was interested in creating stories, sometimes with words, but other times with images only.
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
JVB: I was born and raised in Mexico, and grew up listening to my father tell stories to anyone and everyone who would listen. Coming from a big family, even at very early age, I would look for places to hide, where I could lose myself in my sketches and writings. Most of my early works were about magical places where the characters had no limitations. They could dive into the deepest oceans or fly into space and sit on the moon. I always was interested in creating stories, sometimes with words, but other times with images only.
AD: I can definitely see those magical places being explored in your art. I continue to be amazed at the power of stories to transport us to fantastical places. I still find myself getting lost in my work and when that happens, it reminds me that I'm exactly where I need to be--creating!
© 2020 Judith Valdes Breidenstine Art
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
JVB: I always wanted to write and illustrate but never thought that I could make a career of it. I had a gift for numbers and received bachelor and master’s degrees in accounting and international affairs, respectively. Years later, rekindling my passion for creating images, I earned a Bachelor of Arts degree in Illustration while living in the UK. As English is not my first language, I found refuge in creating images that spoke for themselves. It was during this time that I came across some great creators like Uri Shulevitz and was drawn to his word economy. A narrative tied to the images permits the young reader to explore and wonder through the pages, interpreting not only the intended story, but also wherever the imagination would take one.
AD: I'm so glad you found your way back to art and writing, and how interesting that you used your art as a tool to communicate. Art is a universal language :)
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
JVB: I focus on cultural identity and heritage, multiculturalism, diversity and the richness of food, music, customs, traditions, and more. I am a mother to three wonderful multicultural children, who are also “third culture kids”, as they have grown up abroad most of their lives. As a result, I want to tell stories to which, children like them, can relate and in which they see themselves reflected.
I have lived in five countries, on three continents and have benefited from learning about other cultures. All of my stories have come from a personal experience but carry with them universal themes. For example, due to my frequent moves, I have felt the pain of leaving behind friends, pets, and even plants, that I couldn’t take with me.
JVB: I focus on cultural identity and heritage, multiculturalism, diversity and the richness of food, music, customs, traditions, and more. I am a mother to three wonderful multicultural children, who are also “third culture kids”, as they have grown up abroad most of their lives. As a result, I want to tell stories to which, children like them, can relate and in which they see themselves reflected.
I have lived in five countries, on three continents and have benefited from learning about other cultures. All of my stories have come from a personal experience but carry with them universal themes. For example, due to my frequent moves, I have felt the pain of leaving behind friends, pets, and even plants, that I couldn’t take with me.
AD: Writing from our own experiences is so important and so powerful. I find my best and strongest stories are my most personal. We each have our unique stories to tell and these stories can serve as a way to create understanding among all people. In my experience as a high school art teacher, I often have my students share their finished art work. We talk about the story and meaning behind it. This serves as an opportunity for students to listen and to learn about their classmate's stories, which in turn, creates a sense of community where we celebrate our differences while realizing we have a lot more in common than we may initially think.
© 2020 Judith Valdes Breidenstine Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
JVB: I am my biggest challenge. As I mentioned, I love math, sketching and writing and that is because I am introvert at heart. While I like it that my works speak for me, at the beginning of this journey, I struggled with putting myself “out there” and all that that involves. Believing in oneself and in one’s abilities is crucial to making it in any area of life. If we believe in ourselves and in our creations, the rest should come at the right time.
JVB: I am my biggest challenge. As I mentioned, I love math, sketching and writing and that is because I am introvert at heart. While I like it that my works speak for me, at the beginning of this journey, I struggled with putting myself “out there” and all that that involves. Believing in oneself and in one’s abilities is crucial to making it in any area of life. If we believe in ourselves and in our creations, the rest should come at the right time.
AD: Yes! I think many of us relate to this. Being vulnerable and putting our work into the world can be scary and uncertain but as you said, believing in ourselves helps us take that leap. I've found the more I put myself out there, the more I learn, grow, and develop in my craft. If we let ourselves be overcome by fear or that we may not be good enough, we may never know our true potential.
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
JVB: I find that I'm much harder on myself than I am with others, but this has allowed me to laser-focus on my areas for improvement. Over the course of time, I learned a lot about me and what brings out my best. A little over a year ago, one of my dogs passed away from cancer. It was a terribly sad experience, because it coincided with the time when my family moved from Brussels to Bangkok. Even though my dog was no longer with us, I felt as if I abandoned him. It took me all this time to sort out my feeling enough to be able to write a story called, “Celebrating Perro”, which I wrote in the context of the Mexican celebration of the Day of the Dead.
AD: We're all our harshest critics. I'm glad you have reframed that idea into a positive, which has helped you zero in on areas for improvement. I'm so sorry about the passing of your dog. We have a pup of our own, and I try not to think about that day even though I know it's inevitable. I can't imagine how hard that must've been to move away in the midst of your grief but I'm glad you have been able to find solace in your story. I hope you are able to find a home for "Celebrating Pedro" so I can add it to my bookshelf when in need.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
JVB: I truly believe that what makes my works different is the way that I create them. I love to infuse in my stories little gems that only parents who share my heritage would catch. My hope is that these treasures will remind them of the beauty of “being bicultural”, while sharing the story with their children. I hope that children of all backgrounds will develop a greater appreciation for their history and the journeys of their ancestors, that brought them to where they are today. It is also my desire that this sentiment will propel them to be the best “global and inclusive citizens” that they can be.
AD: So, so important! I love that idea of dropping little bicultural gems for parents to catch, too!
AD: What inspires your work?
JVB: My children inspire me. I am in awe of the way that they have successfully adapted to life in different countries and to varied cultures. While remaining open to new and different things, they also take pride in who they are and from where they come. I long to give a voice to tobi-cultural children, so that they can find their place and identity in my stories and that other children will come to appreciate the greatness that diversity brings to their communities.
AD: Traveling and experiencing different people and places around the world truly have the capacity to open our minds and hearts and to fill them with gratitude and understanding. The pride and openness that your children display also sound like a testament to the values you've taught them and being a model for what inclusivity can and should look like.
© 2020 Judith Valdes Breidenstine Art
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
JVB: I often draw the characters before working on the story. This allows me to get to know my characters, what makes them laugh or cry, as well as what their dreams or fears are. Once the character is fixed in my head, I begin to write, not before.
AD: What sorts of things have been most integral in your growth as an author-illustrator?
JVB: I am a strong advocate of lifelong learning. I believe that if I want to improve, I need to look for ways to become more proficient in my art. The camaraderie and community that goes with my coursework is also an integral part of my growth. And, then there is practice, practice, practice – taking risks, making mistakes, getting up, dusting myself off, and trying again.
AD: Cheers to life-long learning! That's one of the reason I love teaching. I learn new things from my students everyday!
© 2020 Judith Valdes Breidenstine Art
AD: What advice do you have for fellow kidlit creatives?
JVB: First, be authentic. Be you! Take a look at your own, unique journey to find your stories. Enjoy the learning and all it brings. Work on crafting your skills. Try new things, strive to be better, and have fun. If I am not having fun, I know that I must be doing something wrong.
JVB: First, be authentic. Be you! Take a look at your own, unique journey to find your stories. Enjoy the learning and all it brings. Work on crafting your skills. Try new things, strive to be better, and have fun. If I am not having fun, I know that I must be doing something wrong.
 © 2020 Judith Valdes Breidenstine Art | AD: Where can readers find out more about you and your work? My website is judithvaldesbreidenstine.com I am also active on Twitter @Judithvaldesb and Instagram: judithaldesb. Thank you very much for the opportunity to share my story! You're so welcome, Judith! It's been my pleasure. You have so many important stories to share with the world and your art is just gorgeous! I can’t wait to follow along on your kidlit journey! Best of luck! Feel free to drop a comment below to support Judith and her work. Stay tuned for next week where we get to meet another Rising Star in Kidlit, and be sure to subscribe so you don't miss out and follow along on Twitter at #RisingStarsinKidlit. |
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author-Illustrator Amanda Wastrom!
 © 2020 Amanda Wastrom Art | Amanda Wastrom is an award-winning graphic designer, museum curator, and writer. In addition to children’s stories, she writes about art, culture, and local history for nationally distributed magazines such as Cape Cod LIFE and Cape Cod Magazine. She lives in East Sandwich, Massachusetts with her husband and kids, a flock of chickens, an overgrown garden, and some feisty honeybees. Amanda is seeking agent representation. |
© 2020 Amanda Wastrom Art
Welcome, Amanda! Thanks for joining me for the Rising Stars in KidLit Series. I can't wait to hear more about your work, your inspiration, and your projects!
AD: Let’s start with a speed round…
- Top three favorite children’s books of all time? Only three??!! The Snowy Day by Ezra Jack Keats, Du Iz Tak? By Carson Ellis, and The Adventures of Beekle by Dan Santat
- Coffee, tea (or neither)? Tea (usually mint or chamomile).
- Where is your safe place? I have a huge clawfoot tub out on my deck (we are surrounded by woods, so privacy isn’t an issue ;)). It’s amazing. I take a nice, long bath almost every night. It’s my place to decompress.
- Dogs, cats, (or neither)? Both! The more animals, the merrier at my house!
- Early bird or night owl? I’m a wannabe early bird. The days when I’m the first one up and I get an hour to myself? Those are the best.
- Three words to describe what it takes to make it in the kidlit world…grit, perseverance (are those the same thing?), and community.
AD: Fellow tea drinkers unite!! And oh my--that clawfoot tub bath sounds dreamy :)
AD: Okay, now down to the serious stuff….
Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
AW: I’ve always loved picture books, and I still have many of the ones I grew up with. My mother was an elementary school teacher, and she used to bring me to a big kidlit festival they had at Keene State College in New Hampshire. I remember seeing Tomie DePaola speak there. Writing and illustrating my own book has been a goal of mine for a long time—since high school, actually. But, as you’ll see from my answer below, I have wandered around quite a bit in my life, with the connecting thread being that storytelling has always been a part of my life. Whether you’re a teacher or a graphic designer or a curator, you are, at the heart of it, telling a story (hopefully a good one that gets your students, viewers, or visitors hooked). I got serious about my own kidlit writing about four years ago. I was in my mid-30s at that point and I felt like, ok—if you’re going to try to do this, you’ve gotta get started! I started taking classes, joined SCBWI, and found a critique group. I’ve been slowly trying to immerse myself in the community.
AD: I love that idea of a storyteller at heart and totally relate. I've realized whether I'm teaching others to tell their stories through art education or exploring my own through art and writing, it's always been about the storytelling, and I've always loved learning other people's stories and thinking about how my own story and experiences have shaped me into the person I am today.
© 2020 Amanda Wastrom Art
“Let’s Play! New England Toy Stories” exhibit that Amanda recently helped curate. AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
AW: I have always been a bit of a wanderer. I was a serious athlete in college (you could say I majored in soccer). When I wasn’t playing sports, I was studying a mix of science and art. I was a curious learner—loved school—and had a really hard time deciding which direction to go. I pursued art and went to art school for graduate school. Not sure why I didn’t pursue illustration while I was there (I got my MFA in Studio Art). I’ve worked as a teacher (Visual Art and English), graphic designer, copywriter, exhibit designer, and curator.
Right now, I’m a museum curator as my day job. I love it as it puts all of my skills to use—researching, writing, working with artists, designing. Plus, I get to keep learning. Every time we take on a new exhibition project, I get to learn about something entirely new! And puttering around in our museum’s collection is like digging through the most amazing (and most organized) attic in the world. I would say that the downside is that my day job is demanding and sucks up a lot of my creative energy. I fit my personal work in when I can.
AW: I have always been a bit of a wanderer. I was a serious athlete in college (you could say I majored in soccer). When I wasn’t playing sports, I was studying a mix of science and art. I was a curious learner—loved school—and had a really hard time deciding which direction to go. I pursued art and went to art school for graduate school. Not sure why I didn’t pursue illustration while I was there (I got my MFA in Studio Art). I’ve worked as a teacher (Visual Art and English), graphic designer, copywriter, exhibit designer, and curator.
Right now, I’m a museum curator as my day job. I love it as it puts all of my skills to use—researching, writing, working with artists, designing. Plus, I get to keep learning. Every time we take on a new exhibition project, I get to learn about something entirely new! And puttering around in our museum’s collection is like digging through the most amazing (and most organized) attic in the world. I would say that the downside is that my day job is demanding and sucks up a lot of my creative energy. I fit my personal work in when I can.
AD: How nice you've been able to find a job that weaves together so many of your passions and skills!
© 2020 Amanda Wastrom Art
© 2020 Amanda Wastrom Art
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
AW: My writing tends toward the lyrical and sweet. I am earnest. That’s my gig. I learned all about that from my days as a high school teacher. I would regularly have to get up and speak in front of 800+ students and I learned pretty quickly that I am not funny. I am not quirky. But sincere and earnest? I can do that pretty well. I want to be the writer whose books make you go “awwww” at the end (maybe with a tear…or at the very least, a smile).
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
AW: I started to get serious about my writing right about the same time I had children. Balancing parenting and a full-time job along with my own creative projects is definitely a challenge. I know there are a lot of people out there who are able to work after their kids go to sleep. I’m not one of those people. I’m often falling asleep alongside them. So, I struggle to find the time and the creative energy to keep my own projects going and to keep the house clean, the garden going, and exercise (yeah, I used to be sporty!). I have found that in the free time I have I can either a) make art or b) exercise. I haven’t figured out how to do both. Has anyone else figured this out? If so, please share your secret!
AD: Yes!! The struggle with balance is real! I haven't quite figured it out yet either...
Photo Credit: Aziz Acharki via Unsplash
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
AW: Right now, I have three PB manuscripts that feel pretty strong and polished and I think I’m ready to start querying. That may seem like a small victory but to me, I’ve been waiting and waiting until I could assemble enough strong work to take the next step. I feel like I’m ready. Some of the best (and simplest) advice I’ve gotten is to just make good work. You can’t do anything or get anywhere if the work isn’t strong to begin with. And you’ve got to spend a lot of time in the trenches to get it to a point where it is strong. To me, that’s a win.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
AW: I think I have a pretty strong, consistent voice. I love playing with words at the line level and crafting language that’s on the poetic end of the spectrum.
AD: What inspires your work?
AW: I live on Cape Cod, and I find that for me, place is a big inspiration. Many of my stories are memories from growing up here or about life on the ocean. Cape Cod has a rich history—it’s full of great stories about the people who have lived here, the architecture, the landscape, and the wildlife. Endlessly inspiring.
AW: Right now, I have three PB manuscripts that feel pretty strong and polished and I think I’m ready to start querying. That may seem like a small victory but to me, I’ve been waiting and waiting until I could assemble enough strong work to take the next step. I feel like I’m ready. Some of the best (and simplest) advice I’ve gotten is to just make good work. You can’t do anything or get anywhere if the work isn’t strong to begin with. And you’ve got to spend a lot of time in the trenches to get it to a point where it is strong. To me, that’s a win.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
AW: I think I have a pretty strong, consistent voice. I love playing with words at the line level and crafting language that’s on the poetic end of the spectrum.
AD: What inspires your work?
AW: I live on Cape Cod, and I find that for me, place is a big inspiration. Many of my stories are memories from growing up here or about life on the ocean. Cape Cod has a rich history—it’s full of great stories about the people who have lived here, the architecture, the landscape, and the wildlife. Endlessly inspiring.
© 2020 Amanda Wastrom Art
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
AW: There are artists out there who are the 9 to 5 working artists. They show up every day, put in the hours, and cultivate their creative tools that way. I was never one of those artists—either with my art or my writing. I’m the kind that keeps things open, keeps exercising my creative muscles in other ways and is ready when inspiration does strike. I remember reading Louisa May Alcott’s diary, and she wrote about how she would let her stories percolate in her head. She’d be thinking about them as she was doing her chores around the house. I felt inspired (and validated) by that. The reality is, my own creative time isn’t always there. I try not to beat myself up about that. If I don’t write every day or if I don’t have a chance to make my own work, that’s ok. But if there’s a night when my schedule is free and the kids are asleep, and I’m still awake (like tonight!), I seize on that chance and dive in.
Having multiple projects going certainly helps keep the ideas flowing cause if it’s been a while, I can always pick up a manuscript and start revising. That’s a pretty low bar to enter on. I don’t even have to write anything new!
AD: What sorts of things have been most integral in your growth as an author-illustrator?
AW: I would say that single biggest thing for me was finding a solid critique group of like-minded, equally committed writers. From my days in art school, where critiquing is a part of your everyday life, I know how valuable it is. I can’t evaluate my own work. Every artist knows that. You need community to bounce off of. It took me a while to find one but my crit group is amazing. They have helped me push my writing and my stories further. And just having a deadline to hit keeps me accountable.
AD: Community and critique groups are key for accountability and growth. I'm so grateful for my critique group who have been integral towards my development and more importantly, my sanity, ha!
AD: What advice do you have for fellow kidlit creatives?
AW: I’ve been thinking about how my most meaningful work that I’ve done so far has also been my most personal. The stories that are really about who I am, what I love and what I’ve learned from my life. People say it all the time but if you follow what you love, good things happen. I have always found that to be true. Oh, and the make great work thing. That’s key too. The work has to be great. That’s the first step.
AD: Yes! I totally relate to this! I think my best stories come from my personal experiences. They tend to be my strongest and the ones I'm most passionate about. When writing them, they also allow me a space to reflect on these portions of my life and feel good knowing that telling my story may help a child connect, feel inspired, or cope with something similar.
Amanda is also a very talented photographer whose scenes from Cape Cod are just GORGEOUS!! You can check out more of her work at the links below.
© 2020 Amanda Wastrom Art
© 2020 Amanda Wastrom Art Amanda, thank you so much for sharing a bit about yourself and contributing to the Rising Stars in Kidlit series! We can’t wait to read your stories and see your work in the hands of young readers! Best of luck as you continue your journey! Feel free to drop a comment below to support Amanda and her work.
Stay tuned on Monday where we get to meet another Rising Star in Kidlit, and be sure to subscribe to the blog so you don't miss out, and follow along on Twitter at #RisingStarsinKidlit.
If you are interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
10th Annual Halloweensie Writing Contest (for children's writers)!
Hosted by the fabulous SUSANNA LEONARD HILL
Rules according to the website:
- Write a 100 word Halloween story appropriate for children ages 12 and under
- The story must include the words skeleton, creep, and mask.
- The story can be any mood (scary, funny, sweet) and any style (poetry or prose)
- The story will be judged on age appropriateness, Halloween focus, quality of story, quality of writing, and originality.
- 12 top winners will be chosen between November 4-9th!
Some amazing prizes from generous donors await!! Thanks for hosting this fun and spooktacular event, Susanna! What a great opportunity to challenge ourselves and have some fun in the process! Happy Halloweensie! See my entry below!
FOREVER LOVE
84 WORDS
By Amanda Davis
Her white, brittle bones
glimmer,
under the mask of the moonlight.
Her eye sockets,
dark with shadows,
perfectly sunken in.
She waits.
So pretty.
In the graveyard.
Beneath the leafless trees.
Too many lonely years without her.
Missing her.
My quivery bones,
buckle at her beauty.
Each step,
closer.
I reach for her hand.
She reaches for mine.
We meet again.
Some called it young love.
I called it forever.
We creep away,
Hand in hand.
Into the shadows.
Two skeletons.
One Halloween night.
© 2020 Amanda Davis Art
To close out this crazy and unprecedented year, I wanted to take some time to highlight my fellow kidlit creators who are working their tails off to birth their beautiful book babies into the world. These interviews will cast a light on the wonderful work of these pre-published, unagented authors and author-illustrators who are destined to be stars!
Meet Rising Star
Author-Illustrator Dez Sargeant-Blair
Dez has been a professional storyteller for almost 30 years and enjoys telling her tales during school visits. © 2020 Dez Sargeant-Blair
Dez Sargeant-Blair lives in Ontario, Canada with her really nice husband and one stubborn french bulldog. She also has one tall step-son (who's nice too, thank you very much!), and four silly, adventurous grandkids. Dez has been a professional storyteller for almost 30 years and enjoys telling her tales during school visits. She also facilitates writing, illustration, storytelling, and diversity workshops during her school visits. Making sure that adults get in on the fun, she performs one-woman shows for them about relationships, parenting, and life's odd moments. Dez is currently translating her imagination to book form, writing and illustrating picture books as well as middle-grade graphic novels. All with one very opinionated french bulldog watching her every move.
Dez is currently seeking agent representation.
Dez's furry and opinionated writing partner. © 2020 Dez Sargeant-Blair
Welcome, Dez! I'm so excited to have you here on the blog and learn more about your fun and fabulous stories and art! Your work is so multifaceted Readers are in for a treat! I also must say that your pup is adorable! Those eyes! I think I'd get very distracted having that cutie as my writing partner.
Alrighty, let's jump into it!
Alrighty, let's jump into it!
AD: Let’s start with a speed round…
- Top three favorite children’s books of all time? Now you're asking! If I had to limit to three--Never Talk to Strangers by Irma Joyce (Early childhood favourite: I’ve been on the lookout for a bee playing a bass bassoon ever since), The Trumpet of the Swan by E. B. White, Absolutely anything by Jacqueline Woodson.
- Coffee, tea (or neither)? Both
- Where is your safe place? My imagination and anywhere the people I love are.
- Dogs, cats, (or neither)? Both. I had a cat for 19 years & 8 months and now I have a five-year-old French Bulldog.
- Early bird or night owl? Both. I only sleep 3.5 hours a day.
- Three words to describe what it takes to make it in the kidlit world…Persistence, Curiosity and Laughter.
AD: A bee playing a bassoon sounds wonderful, ha! I'll have to check that one out. I also love that your safe place is your imagination but I'm wondering how you function with only 3.5 hours of sleep?!? Oh my goodness! I think curiosity is key as well. I love to ask questions and learn, and I feel that has helped me continue on even when times get tough in this industry. There is always something new to learn and that motivates me to keep moving forward and growing.
AD: Please dish us the dirt on who you are and your journey into the fabulous world of children’s books.
DSB: I started this journey nearly 30 years ago as an accidental professional storyteller. I was asked by a friend to fill in for her story time session with a kindergarten class. I immediately said, "No." She asked again, and I said, “No” again. She promised that it would be fun. I hung up the phone and found myself standing in the school library with 18 pairs of beautiful, creative, intelligent eyes looking up at me. The librarian asked what book I wanted to read. I had no idea. So, I asked if I could just make up a story. The adventurous librarian cheerful said, "Sure." I sat down and before I knew it, I was telling a story. My friend was right; it was fun! The next week the librarian then went to a conference and spread the word about my storytelling ways. Hit fast forward, and I've now done hundreds of school visits in front of hundreds of thousands of kids, and I couldn't be happier. I love saying, "Let me see your beautiful, creative, intelligent eyes!" during whole school assemblies to get the kids' attention. There is nothing like having hundreds of eyes turning your way, no doubt in their mind that you're talking to them.
Last year, I decided that I wanted to introduce 3D animation into my school workshop programming. I took a hiatus from doing school visits last December, so I could learn about the fantastic world of animation. Then, the world went topsy turvy and well, our days haven't been the same. Realizing that I wouldn't be returning to doing whole school assemblies and divisional workshops any time soon. I thought that this would be a perfect time to jump fully (I had done the odd querying over the years) into the world of children's book publishing.
Presently, I am also a professional photographer. I capture weddings, families, and my absolute love is black and white fine art photography. I have a bespoke stationery line that is sold in retailers. Although it may seem like I do a lot of different things, it all stems from the art of storytelling.
AD: The beauty of happy accidents and taking chances. Good thing for that persistent friend! How fun about your new adventure into animation as well. I can definitely see hints of that in your own illustration style.
AD: Did you always know you wanted to be an author-illustrator? Have you explored other paths or had/have other jobs?
DSB: I've always written stories. Thanks to my dear Momsie, I still have some of the stories that I wrote in grades 5-8. Looking at the favourable reviews that my teachers gave me, it's not surprising that I've had a love of writing. Boy, did I have a wild imagination back then. ;) Yes, I've apologized to my mother for what must have been quite the memorable task of raising me.
I wanted to be a journalist and was still headed that way when my storytelling ways demanded that I change course. A hero of mine is a Black journalist by the name of Ed Bradley. Mr. Bradley entered my world every Sunday night via 60 minutes. I started watching him when I was 9 years old. I loved his interviewing style, he would talk to fascinating people, and I would wonder about why they did/didn't do something. The next thing I knew, Mr Bradley was asking them 'my question!' Not only that, he would often end up laughing with his guest.
Watching a Black man on television interviewing such an array of interesting people and clearly loving what he was doing, helped me see that was a possible career path for me. In my high school yearbook under ambition, I wrote: To replace Ed Bradley or marry him. LOL I can't tell you the number of kids who came up to me and asked, "Who in the world is Ed Bradley?" I happily educated them. Unfortunately, Mr. Bradley passed away a few years ago. One of the gifts I feel the universe gave me was during a televised tribute to him, they included him saying, "I consider myself to be a storyteller, first." My mother called and said, “Did you hear that?”
DSB: I've always written stories. Thanks to my dear Momsie, I still have some of the stories that I wrote in grades 5-8. Looking at the favourable reviews that my teachers gave me, it's not surprising that I've had a love of writing. Boy, did I have a wild imagination back then. ;) Yes, I've apologized to my mother for what must have been quite the memorable task of raising me.
I wanted to be a journalist and was still headed that way when my storytelling ways demanded that I change course. A hero of mine is a Black journalist by the name of Ed Bradley. Mr. Bradley entered my world every Sunday night via 60 minutes. I started watching him when I was 9 years old. I loved his interviewing style, he would talk to fascinating people, and I would wonder about why they did/didn't do something. The next thing I knew, Mr Bradley was asking them 'my question!' Not only that, he would often end up laughing with his guest.
Watching a Black man on television interviewing such an array of interesting people and clearly loving what he was doing, helped me see that was a possible career path for me. In my high school yearbook under ambition, I wrote: To replace Ed Bradley or marry him. LOL I can't tell you the number of kids who came up to me and asked, "Who in the world is Ed Bradley?" I happily educated them. Unfortunately, Mr. Bradley passed away a few years ago. One of the gifts I feel the universe gave me was during a televised tribute to him, they included him saying, "I consider myself to be a storyteller, first." My mother called and said, “Did you hear that?”
AD: I love browsing through old art or writing that my Mom kept. It's continues to remind me that I'm on the right path. I love how you describe your hero Ed Bradley and how he inspired and validated your career as a storyteller. To me, your story also highlights the importance of visibility in mainstream American culture. Our mainstream media needs to mirror our nation's diverse demographics. If you never saw Ed Bradley on television, you may never have thought that career path was possible for you. Visibility matters and your story is a perfect example of that! Thank you for sharing.
© 2020 Dez Sargeant-Blair Art
AD: What topics or themes do you tend to focus on in your writing/art? Favorite genres you like to write in or favorite art materials/techniques?
DSB: Representation has always mattered to me. The story that I made up that started my career is called "Did God Run Out of Paint?" which is a tale that explores why people are different colours from one another. Since then, I 've facilitated a diversity workshop in schools. I believe it's essential to instill a sense of self-worth in kids and that a big part of that is encouraging them to see the worth in others. It's one thing to tell a child that they matter, it will be life-changing to them to show it. In the kidlit world, it is said that to have a successful book you "Don't tell, show." That lesson goes well beyond the kidlit world.
The other theme that I focus on when writing is humour. It has to have laughter in it somewhere. I love writing humour, mystery, and magical realism.
When illustrating picture books: I use mixed media and Photoshop. My art always starts with a pencil sketch. I then play around creating acrylic, pastels, collages, watercolour, inks, pencil textures. These textures are then scanned into Photoshop, where I finalize the illustrations. At times I also like to fully illustrate my stories without using the computer.
For graphic novels: I use pencil sketches first and then into Photoshop for inking and colour. I add textures to the mock-up covers only.
DSB: Representation has always mattered to me. The story that I made up that started my career is called "Did God Run Out of Paint?" which is a tale that explores why people are different colours from one another. Since then, I 've facilitated a diversity workshop in schools. I believe it's essential to instill a sense of self-worth in kids and that a big part of that is encouraging them to see the worth in others. It's one thing to tell a child that they matter, it will be life-changing to them to show it. In the kidlit world, it is said that to have a successful book you "Don't tell, show." That lesson goes well beyond the kidlit world.
The other theme that I focus on when writing is humour. It has to have laughter in it somewhere. I love writing humour, mystery, and magical realism.
When illustrating picture books: I use mixed media and Photoshop. My art always starts with a pencil sketch. I then play around creating acrylic, pastels, collages, watercolour, inks, pencil textures. These textures are then scanned into Photoshop, where I finalize the illustrations. At times I also like to fully illustrate my stories without using the computer.
For graphic novels: I use pencil sketches first and then into Photoshop for inking and colour. I add textures to the mock-up covers only.
AD: Yes! As the old saying goes, actions speak louder than words! I love the concept of the book you described above. It reminds me of a lesson I do with my high school art students where we paint hand portraits. The lesson is mainly about identity and the things that make us who we are, but I weave painting skin tones into the lesson as well. I completely agree, when you give kids the opportunity to share, create, and voice the things about them that are unique and special, such as their background or interests, you are showing them that you care. And, at the same time, other kids get to learn about their classmates, which creates a sense of understanding, connection, and community. It's win-win! I LOVE all the different textures in your art and was wondering about your materials. So fun to learn about the mixed media techniques you use! I also loved checking out your sketches on your website. It's fun to see these loose drawings and get a peek into what your pencil sketches look like. Be sure to check out Dez's sketchbook drawings HERE!
© 2020 Dez Sargeant-Blair Art
AD: Breaking into the publishing industry is not easy! What’s been the biggest challenge you’ve faced thus far? What have you done to persevere?
DSB: Before this year, I didn't really write any of my stories down. A story would pop into my head, and I'd perform it. For me, revising happens in the telling. Well, I quickly found out that this is a very different approach from how the publishing world works! At first, I found the idea of writing revisions tough to understand.
Then, I had a lightbulb moment. I decided to approach it like I approach my performances. One thing that I'm known for is that I can create an on-the-spot improvised story using 10 words from the audience. I love the challenge of doing this. It keeps me on my toes because I have to make sure that no one can guess the ending. That's harder to do with hundreds of people listening in.
Well, I now approach revising that way. I've only got X amount of words, and I have to surprise my reader with the ending, but it still has to make sense.
DSB: Before this year, I didn't really write any of my stories down. A story would pop into my head, and I'd perform it. For me, revising happens in the telling. Well, I quickly found out that this is a very different approach from how the publishing world works! At first, I found the idea of writing revisions tough to understand.
Then, I had a lightbulb moment. I decided to approach it like I approach my performances. One thing that I'm known for is that I can create an on-the-spot improvised story using 10 words from the audience. I love the challenge of doing this. It keeps me on my toes because I have to make sure that no one can guess the ending. That's harder to do with hundreds of people listening in.
Well, I now approach revising that way. I've only got X amount of words, and I have to surprise my reader with the ending, but it still has to make sense.
AD: Wow! That's quite the talent! Maybe you have a career in improv as well! That's pretty cool that you were able to take those skills and translate them into your revision process. I'm always looking for new techniques for revision. Maybe I need to give this one a try :)
© 2020 Dez Sargeant-Blair Art
AD: As creators (and humans), we tend to focus on the flaws of our creations or areas for improvement. This helps us grow and develop, but we need not forget the many things we are doing well. With this in mind, what has been your biggest accomplishment or something you are most proud of thus far on your writing/illustration journey?
DSB: My biggest accomplishment has been being able to make kids laugh. I laugh every day. Even during some of the darkest times in my life (I mean not a star is seen in the sky dark), I was still able to hold onto the faint memory of joy. I think that's really important. Especially now, as we all (adults and especially kids) are going through a time of complete uncertainty. There is power in laughter. Funny enough, my grandkids (all four!) will tell you that I can be quite serious when Need Be! But--after that, it's a return to laughter.
What I'm most proud of is developing programming that has effectively helped kids to celebrate people's differences while embracing our similarities. I grew up hearing my mother use the phrase 'God-given talent.' Thinking back to my first story, 'Did God Run Out of Paint?', there is no question in my mind that I am doing exactly what I'm meant to do. There's also no question that I should continuously be laughing while doing it!
AD: Wohooo! Kids can be a tough audience so kudos to you for making them laugh. Laughter is such an important part of life and so powerful as you said. Thank you for the work you've done to help kids celebrate differences and embrace our similarities. I'm sure your programs have positively impacted many, many children and in ways you may never even know.
AD: In a similar vein, what do you feel are your strengths as an author/illustrator? What makes your art/writing unique to you?
DSB: I think my writing and illustrating has really benefited by my being a storyteller first. I've spent decades painting a picture for others of what was in my mind. So now, the ideas seem to come quickly. Although not always complete, I've got a good sense of where it's going. I believe that's the secret of being a good storyteller. You've got to take your listeners on a journey, make sure you don't leave anyone behind, leave them wondering where you're going to next and be happy upon arrival.
Time management is also a strength of mine. Then again, maybe I only sleep 3.5 hours because that's all the time I have for it. LOL
AD: What inspires your work?
DSB: Kids, overheard moments of conversations are a big inspiration, writers and illustrators, art, tv shows, and movies.
DSB: Kids, overheard moments of conversations are a big inspiration, writers and illustrators, art, tv shows, and movies.
© 2020 Dez Sargeant-Blair Art
AD: Tell us about your creative process and what you do to keep ideas flowing or what you do when feeling stuck?
DSB: When performing, I am usually in my car before sunrise headed to a school visit in another city. Now, I'm sitting in my home writing/illustrating at 4 a.m. I take mini-breaks and hop onto Twitter to see what's happening across the pond. (The UK's 5 hours ahead). These mini-breaks help me 'get away from my work' for a bit. I also read online newspapers and publishing blogs and book reviews. Although, I have to be careful picking up an actual book when I'm working in case it's a real page-turner!
I'm currently working on two middle-grade graphic novel projects. So I've been dividing my time between scriptwriting and illustrating. I love the world-building opportunities in graphic novels. Because I always told my stories, they naturally have been picture book-length. (I perform a hour-long assembly of 3 tales and one on-the-spot improvised story.)
DSB: When performing, I am usually in my car before sunrise headed to a school visit in another city. Now, I'm sitting in my home writing/illustrating at 4 a.m. I take mini-breaks and hop onto Twitter to see what's happening across the pond. (The UK's 5 hours ahead). These mini-breaks help me 'get away from my work' for a bit. I also read online newspapers and publishing blogs and book reviews. Although, I have to be careful picking up an actual book when I'm working in case it's a real page-turner!
I'm currently working on two middle-grade graphic novel projects. So I've been dividing my time between scriptwriting and illustrating. I love the world-building opportunities in graphic novels. Because I always told my stories, they naturally have been picture book-length. (I perform a hour-long assembly of 3 tales and one on-the-spot improvised story.)
Dez's beautiful studio space! I love the decor! :) © 2020 Dez Sargeant-Blair Art
AD: What sorts of things have been most integral in your growth as an author-illustrator?
DSB: Settle in, this is a long list of awesomeness!
- Something helpful is my author/illustrator critique group. We formed this past July, and I can't recommend critique groups enough. They are a group of excellent writers and illustrators who are so inspiring. They also offer a new perspective on my stories, which has been insightful.
- If you're a Black writer or illustrator, another fantastic group is #BlackCreatorsIn KidLit. This is a group that as Antwan states 'aims to bridge the gap between publishing professionals and Black creators (authors and illustrators).' It was founded by Antwan Eady and Winsome Bingham. They've built a team of creatives that are helping uplift other Black creators who are interested in the publishing industry. The amount of support and talent in virtual meetings is evident. Also, they offer workshops and have critique groups to help creatives develop their craft. It's exciting to see the amazing books that are going to be in the hands of many lucky kids!
- If you're interested in writing/illustrating comics or graphic novels. Something to file under #timewellspent is Kids Comics Unite. Which was founded by Janna Morishima. This network of creatives is absolutely incredible. Not only do they have a passion for the craft of sequential storytelling, but they are also natural teachers amongst them. By teacher, I mean I instantly have turned a member into one by raising my virtual hand and asking a million questions. Do they treat me like a pesky sibling?--No! They are helpful and if they don't know the answer. Rest assured that they'll find out for you.
- BookTrust is a brilliant children's reading charity based in the UK. They have an endless list of programmes, campaigns and awards in celebrating the kidlit world—lots of resources for writers, illustrators, families and educators.
- SCBWI is an excellent professional organization for writers and illustrators of children's books. Countless workshops, resources, conferences, divisional events . . . they also have a never-ending list of kidlit goodness.
Lastly, follow publishing professionals on social media, such as:
Twitter:
- Literary agent Kaitlyn Leann Sanchez from Olswanger Literary has tons of kidlit info in her twitter thread @KaitlynLeann17. She also has a brilliant blog kaitlynleannsanchez.com, hosts the wonderfully fun #FallWritingFrenzy writing event with ultra-talented author Lydia Lukidis @LydiaLukidis
- Writer and publisher at Ladybird Books, Louie Stowell has a fantastic Twitter feed that's chock a block full of publishing news. She also highlights and joins Twitter threads answering questions regarding publishing @Louiestowell
- Literary agent Jennifer March Soloway from Andrea Brown Lit has an excellent informative twitter feed of writers/illustrators tips @marchsolway
- Award-winning picture book illustrator Dapo Adeola has a fantastic feed. He also is very active in supporting fellow Black creators in publishing. @DapsDraws also created an inspirational drawing challenge #HUGTOBER that you can share on his Insta: @DapsDraws.
- Writer/Motivational Speaker Alyssa Reynoso-Morris has a great Twitter feed that offers tips and resources for writers @AReynosoMorris
- Literary agents Jessica Faust and James McGowan from Bookend Literary Agency have tons of great information about the publishing world.
- An amazing blogger that's based in the UK that reviews Black children's fiction and non-fiction books candidcocoa.blogspot.com, Twitter-@Kwia35
- Also across the pond in UK, Golden Egg Academy founded by award-winning editor Imogen Cooper. While watching a free mini webinar, Imogen changed my middle grade writing with the following words,”Put your main character in peril.” Twitter- @TheGEAcademy
AD: Wow! So many great resources! Thank you, Dez!
© 2020 Dez Sargeant-Blair Art
AD: What advice do you have for fellow kidlit creatives?
DSB: Creating books for children is serious work, but don't take yourself too seriously. You should love what you're doing. One of my favourite sayings is "If you love what you do, you'll never work a day in your life." I've been happily unemployed since 1991. ;)
DSB: Creating books for children is serious work, but don't take yourself too seriously. You should love what you're doing. One of my favourite sayings is "If you love what you do, you'll never work a day in your life." I've been happily unemployed since 1991. ;)
Dez's greeting card collection © 2020 Dez Sargeant-Blair Art
Dez's beautiful Fine Art Photography! © 2020 Dez Sargeant-Blair Art
AD: Where can readers find out more about you and your work?
Twitter: @stilldez
Insta: @stilldezstills
Illustration website: www.dezsillustration.com
Stationery website: www.stilldez.com
Fine Art Photography website: www.dezblair.com
Wow, Dez! I'm so impressed by your many talents and your drive to learn and teach through your stories. I'm sure readers are, too! I hope one day I'll get to see a live, in-person Dez Sargeant-Blair storyteller performance! For now, I'll just imagine :) Thank you so much for joining me and for sharing a bit about yourself and your work! Congrats on all your wonderful accomplishments. We can’t wait to follow along on your kidlit journey! Best of luck! Feel free to drop a comment below to support Dez and her work.
Don't forget, this week is a "Double Feature" week so stay tuned for another special Rising Star feature this Friday! Be sure to subscribe to the blog so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you're interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
Don't forget, this week is a "Double Feature" week so stay tuned for another special Rising Star feature this Friday! Be sure to subscribe to the blog so you don't miss out and follow along on Twitter at #RisingStarsinKidlit.
If you're interested in being featured in the Rising Stars in KidLit series, please complete the following Getting to Know You form to be considered. Thank you!
With so many fabulous #RisingStarsinKidlit to highlight, I thought I'd give you a double dose of greatness the last week of every month with a "Double Feature!" That means you get to meet not one, but TWO fabulous kidlit creators! Now, can you guess our first dynamic duo? Pop your guesses in the comments below and be sure to check back on Monday 10/26 and Friday 10/30 to find out!
Who Am I?
Hello! My name is Amanda Davis. I am a teacher, artist, writer, and innovator. I've been writing and creating art in all forms since I was young. Writing and art have always been powerful outlets of expression for me. This is one of the many reasons I was inspired to teach art and pursue my passion for writing and illustrating children's books. You can usually find me hanging out in nature, petting dogs, and immersed in all things creative. I'm inspired by my students, life experiences, and small acts of kindness. I live in the Boston area with my husband and rescue pup, Cora.
Art is universal. Art is connection. Art is life.
Archives
November 2020
October 2020
September 2020
May 2020
April 2020
March 2020
RSS Feed
